NATALIE PORTMAN THE MUSICAL
Tuesday, June 18th, 2013NOT RECOMMENDED
Natalie Portman The Musical has arrived at the Hollywood Fringe Festival following last year’s successful run (and return engagement) at Chromolume Theatre At The Attic in what appears to be a considerably stripped-down-for-The-Fringe production.
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A MAN OF NO IMPORTANCE
Tuesday, June 18th, 2013
Sometimes wishes do come true.
Back in September of last year, following a superb concert staged reading of Lynn Ahrens and Stephen Flaherty’s A Man Of No Importance, I ended my review with a wish: “Isn’t it time that A Man Of No Importance got a fully-staged L.A. production?”
Now, a mere nine months later, that wish comes true as director-choreographer extraordinaire Janet Miller and her new Good People Theater Company offer Los Angeles audiences that fully-staged A Man Of No Importance, as all-around perfect a production as this or any musical theater lover could possibly have wished for.
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FIDDLER ON THE ROOF
Monday, June 17th, 2013
No sequins. No glitz. No feathers. No frills. Nothing but glorious songs and dances and a heartstrings-tugging story to transport you back in time and space to a Jewish shtetl in early 20th Century Tsarist Russia. This is Fiddler On The Roof, the Broadway classic whose (almost) 50th Anniversary production makes for a memorable PCPA Theaterfest summer season opener under Roger DeLaurier’s assured direction.
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REVOLVER
Sunday, June 16th, 2013RECOMMENDED
A gay man seeking vengeance on the bashers who killed his first love years before. Jesus dancing a tango in heaven with the disciple whose betrayal led to his death on the cross. A closeted mega-rich movie star and the openly gay starving actor who was once his one true love. Antagonistic friends of a recently od’ed crystal meth addict sorting through his things. An angry gay activist being interviewed by a young journalist who idolizes him. A murdered gay man and one of his killers meeting once again in heaven.
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YES, PRIME MINISTER
Friday, June 14th, 2013
The country is England, the time is now, and the PM’s country house retreat Chequers is in crisis mode. The coalition government finds itself representing a divided electorate, the British Pound Sterling is waning in value, and an ongoing European Council conference seems headed for disaster. With all these problems and more on his table, what’s a Prime Minister to do?
In Antony Jay and Jonathan Lynn’s hilariously farcical Yes, Prime Minister (now getting its US Premiere at the Geffen Playhouse), the answer comes in the form of a potential ten-trillion dollar bailout from a former Soviet republic the authors have dubbed Kumranistan. All the PM has to do is provide the Kumranistani foreign secretary with a trio of call girls for a totally illegal (and immoral and unethical) sex orgy.
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GIRL CRAZY
Tuesday, June 11th, 2013
Musical theater lovers who might have wondered just how revolutionary Oklahoma! was when it redefined the Broadway musical in 1944 got a tangy taste of what came before it at Monday night’s terrifically entertaining Musical Theatre Guild concert staged reading of George and Ira Gershwin’s Girl Crazy.
Fully integrated songs and dances? No way. Lyrics that advanced the plot? Forget it. Serious subject matter? You must be kidding! And as for 21st Century political correctness, there was no such thing back in 1930 when Jews, Mexicans, Gypsies, Asians, Gays, Women, you name it, were deemed joke-worthy.
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DEAD MAN’S CELL PHONE
Monday, June 10th, 2013
If there’s nothing more annoying than the sudden sound of a cell phone going off in a public place, how about when the owner of said phone just lets it ring … and ring … and ring? No wonder Jean, the heroine of Sarah Ruhl’s Dead Man’s Cell Phone, finally loses her patience and goes over to give the negligent phone owner a piece of her mind. It’s only then that she discovers that the man with the annoying cell phone has, as they say, met his maker.
Thus begins Ruhl’s whimsical Helen Hays Award-nominated comedy, a sure bet to entertain audiences at Long Beach’s International City Theatre, particularly with director Richard Israel imaginatively in charge.
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HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING
Sunday, June 9th, 2013
That go-getting whiz kid J. Pierpont Finch is once again zipping his way up the corporate ladder as Performance Riverside gives the Broadway classic How To Succeed In Business Without Really Trying a crackerjack revival well-worth the drive east.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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