HAIRSPRAY


Among the many reasons to catch Glendale Centre Theatre’s just-opened production of Hairspray (including a pair of sensational lead performances), there’s one that tops them all—the chance to see “Broadway’s Big Fat Musical Comedy Hit” in the round.
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CITY OF ANGELS


They said it couldn’t be done, but Musical Theatre West went and did it—gave a sold-out house Broadway’s Tony-winning Best Musical of 1989 City Of Angels in concert staged reading form (i.e., without the design elements so much a part of its Broadway and post-Broadway success), and come out with a winner—and all with a mere twenty-five hours of rehearsal.
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IN THE NEXT ROOM (or the vibrator play)

Debuting its new home at North Hollywood’s Secret Rose Theatre, L.A.’s award-winning The Production Company opens its seventh season with a sparkling Los Angeles Intimate Stage Premiere of Sarah Ruhl’s delightful, provocative, ultimately uplifting In The Next Room (or the vibrator play), a 2010 Best Play Tony nominee and one that more than matches Ruhl’s previous The Clean House, Dead Man’s Cell Phone, and Eurydice in quirky originality and charm.
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RED

Following its six 2010 Tony wins (including Best Play), John Logan’s Red now gets its very first from-the-ground-up Los Angeles-area staging at Long Beach’s International City Theatre, and what a splendid production ICT has mounted under the astute, nuanced direction of its Artistic Director caryn desai.

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THE ROYAL FAMILY


Theatrical royalty play theatrical royalty as Will Geer’s own “royal family” bring George S. Kaufman and Edna Ferber’s The Royal Family to hilarious, effervescent life—with enough star power to rival those twinkling orbs shining down on the Topanga hills Theatricum Botanicum calls home.
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A BRIGHT ROOM CALLED DAY


Director Jeremy Lelliott works wonders with Tony Kushner’s A Bright Room Called Day, turning a play that in other hands might seem stuffy or talky or dated into an exciting, utterly relevant evening of theater.
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PRAIRIE-OKE!


Any resemblance between the show being reviewed here and a certain TV series that ran from 1974 to 1983 on NBC and starred Michael Landon, Melissa Gilbert, and Karen Grassle as a family living on a farm in Walnut Grove, Minnesota in the 1870s and 1880s is “entirely coincidental,” as Silverlake’s Cavern Club Celebrity Theater welcomes back master parodist Dane Whitlock’s Prairie-oke!, aka “That Totally Unauthorized Karaoke Parody Musical Formerly Known As Something Else.”
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eve2

NOT RECOMMENDED

Playwright Susan Rubin experiments with the surreal in eve2, an avant-garde one-act that left me scratching my head in bewilderment.
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