THE LAST GOODBYE


Romeo and Juliet may have fallen in love countless times before, but perhaps never quite so stunningly as they do to the songs of Jeff Buckley in The Last Goodbye, the 2010 Williamstown Theatre Festival hit now being given a splashy Broadway-ready production at San Diego’s Old Globe.
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THE FEW


Samuel D. Hunter. Remember that name, because if the three Sam Hunter plays I’ve had the great good fortune to see over the past twelve months are any indication, this Idaho-born, New York-based playwright is one whose name you’ll be hearing for years to come. A Bright New Boise and The Whale have proven him “one to watch.” The Few (his latest, now getting the sensational World Premiere it deserves), further cements the young playwright’s place in contemporary American theater.
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LA CAGE AUX FOLLES

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The “birds” are boys and the boys are girls as Simi Valley Cultural Arts Center presents Jerry Herman and Harvey Fierstein’s La Cage Aux Folles (aka The Birdcage), and if an uninspired scenic design gives the production a more “community theater” look than it deserves, the result is nonetheless a crowd-pleasing, gender-bending treat.
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TIME STANDS STILL


A wounded photo-journalist’s return home from the war zone proves even more challenging than a life lived on the edge in Donald Margulies’ intelligent, perceptive, often funny, always compelling Time Stands Still, now getting a superb Orange County Premiere at Anaheim’s Chance Theater with crackerjack director Marya Mazor assuredly at the helm.
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THE NORMAL HEART


Larry Kramer’s landmark drama The Normal Heart gets its first L.A. staging in nearly two decades, and tough as it may be to revisit the earliest days of the AIDS epidemic, this absolutely brilliant production is one that no Los Angeles theater lover should miss, and the younger the audience the better.
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THE WHO’S TOMMY


Moonlight Stage Productions concludes its 33rd Summer Season with a sensational production of the legendary The Who’s Tommy, one sure to thrill both Baby Boomers (in their teens and twenties when Tommy began its life) and Generation Xers and Millennials, Tommy’s multiple 1960s hits (“Pinball Wizard,” “I’m Free,” “See Me, Feel Me”) sounding hardly to have aged even a decade in the ensuing years.
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THE LION IN WINTER


It’s a classic nighttime soap, that is if Dallas or Dynasty had been set in 12th-Century England. It’s a Shakespeare history, that is if you could understand every word the actors are saying. It’s a 1960s film classic that won Katharine Hepburn the third of her four Best Actress Oscars.

It’s Peter Goldman’s Broadway flop play-turned-Hollywood hit movie, and if (as Wikipedia puts it rather ungrammatically) “The Lion in Winter is fictional and none of the dialogue and actions is historical,” it still makes for one of modern American theater’s most entertaining dramas and offers actors some of the meatiest roles of their careers—proof of which is now onstage at the Sierra Madre Playhouse.
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HAIRSPRAY


The plus-size mother/daughter duo of Tracy and Edna Turnblad have arrived at Escondido’s Welk Theatre in a mid-sized Hairspray that diverts, dazzles, and delights under director-choreographer Dan Mojica’s accomplished hand.
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