THE FACE, Behind The Face, behind the face


Musical theater performer Anthony Gruppuso takes a look at an actor’s life—and his own in particular—in his entertaining, gorgeously sung one-man show THE FACE, Behind The Face, behind the face, playing this weekend only at Theatre West.
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DALLAS NON-STOP


The age-old tale of a small-town girl with big-city dreams gets retold with Filipino tang in Boni B. Alvarez’s bittersweet romcom Dallas Non-Stop, the crowd-pleasing latest from Playwrights’ Arena.
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LITTLE ME


It takes directorial brilliance (and balls) to take a Broadway show with a cast of thirty-six playing more than three dozen roles and stage it with a mere nine performers and no set design other than one comfy armchair and pull it off, but pull it off director David Lamoureux and his cast of nine did on Sunday as Musical Theatre West opened its Reiner Reading Series’ fourth season with the 1962 Broadway gem Little Me.
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VENUS IN FUR


David Ives’ Venus In Fur has come to town, or about as close to L.A. as she’s going to get for a while, which is more than enough reason to head down south to catch San Diego Repertory Theatre’s mesmerizing production of the 2012 Best Play Tony nominee.
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A PERFECT LIKENESS

RECOMMENDED
Writer-director Daniel Rover Singer imagines a ninety-minute meeting between Charles Dickens and Lewis Carroll in the World Premiere of A Perfect Likeness, now playing at South Pasadena’s Fremont Centre Theatre, and despite bravura performances by Bruce Ladd and Daniel J. Roberts, I must confess to having found Singer’s play rather too talky for my tastes and not nearly as appealing and engaging as its unanimous rave reviews had led me to expect.
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IN THE HEIGHTS


Usnavi, Vanessa, Benny, Nina, Sonny, Daniela, Piragua Man, and all the colorful Washington Heights locals of Lin-Manuel Miranda and Quiara Alegria Hudes’ In The Heights are back in the Heights (Boyle Heights that is) as Teatro Nuevos Horizontes’ multiple Scenie-winning production of the 2008 Broadway hit returns for this year’s holiday season with four of its original stars intact and many of its new principal players living up to memories of last year’s all-around phenomenal leads.
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ILLYRIA


A gifted young cast directed by one of SoCal’s finest, a gorgeous score, and romance and comedy in equal measure are several of the best reasons to catch Cal State Fullerton’s blackbox staging of Illyria, Peter Mills’ musicalization of Shakespeare’s Twelfth Night*. Add to that the unlikelihood of a major L.A. theater miraculously discovering Illyria’s existence, and anyone who loves musicals should make it a point not to miss this largely unknown gem.
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SIDE SHOW


Daisy and Violet Hilton, the “Siamese twins” of Bill Russell and Henry Krieger’s Side Show, are back onstage in a heartstoppingly beautiful revival of the 1997 multiple-Tony Award nominee at San Diego’s La Jolla Playhouse, a production which despite a couple too many deleted songs, makes for one powerful “revisal” as re-imagined by its creators and director Bill Condon.
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