GOOD PEOPLE
Monday, September 22nd, 2014
What better way could there be of following David Lindsay-Abaire’s Rabbit Hole (La Mirada Theatre For The Performing Arts’ recent Scenie-winning Production Of The Year) than with the Pulitzer Prize-winning playwright’s latest hit? Simply put, Lindsay-Abaire’s Good People makes for an evening of Great Theater.
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THE MYSTERY OF EDWIN DROOD
Sunday, September 21st, 2014
Following its pitch-perfect intimate staging of Broadway’s 110 In The Shade, Hollywood’s Actors Co-op returns just four months later with a visit to the 19th Century London Musical Hall in their charmingly cheeky, crowd-pleasing revival of Rupert Holmes’ 1985 Tony-winning The Mystery Of Edwin Drood.
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SPRING AWAKENING
Friday, September 19th, 2014
See Deaf West Theatre’s Spring Awakening. See it if you’ve never seen Spring Awakening before. See it if like this reviewer you’ve seen nearly a dozen Spring Awakenings in all. Just do it, because you won’t see direction more brilliant nor a cast more gifted nor a production more awe-inspiring than the Spring Awakening now being staged by Deaf West.
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COCK
Wednesday, September 17th, 2014
It’s time for John to stop letting M down (and standing him up and cheating and lying and failing and generally cocking things up), or so the 20something gay Brit’s lover informs him upon learning of his younger partner’s serious fling with a member of the opposite sex in Mike Bartlett’s provocative (and provocatively titled) dramatic comedy Cock, now getting an imaginatively directed, thrillingly acted West Coast Premiere at Rogue Machine.
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SWEET SMELL OF SUCCESS
Tuesday, September 16th, 2014
There’s nothing at all sweet about the sleazy, smarmy, downright despicable protagonist of Sweet Smell Of Success, the Broadway musical adaptation of the 1957 Burt Lancaster/Tony Curtis pic, which may well be the main reason the 2002 John Lithgow-starrer flopped, the last of its mere 109 performances (plus 18 previews) less than two weeks after Lithgow won a Best Actor Tony.
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CATCH ME IF YOU CAN
Sunday, September 14th, 2014
Moonlight Stages closes its Summer 2014 season with the Southern California Regional Premiere of Catch Me If You Can, and if the musical adaptation of Steven Spielberg’s popular 2002 biopic “underperformed” during its less than half-a-year on Broadway, you’d be hard-pressed to figure out why it wasn’t a humungous smash from the sensational goings-on down in Vista under the inspired direction of Larry Raben.
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EQUIVOCATION
Saturday, September 13th, 2014
Imagine that you, as the foremost writer of your time, have been ordered by your country’s leader upon pain of imprisonment, torture, and death to come up with a play that would dramatize a supposed plot against your government, solidify its legitimacy, and demonize many of your fellow citizens simply because of your words. What would you do?
This is the conundrum faced by Shag (aka William Shakespeare) in Bill Cain’s extraordinary Equivocation, back in L.A. for the first time since its 2009 pre-off-Broadway engagement at the Geffen in an absolutely superb production at Will Geer’s Theatricum Botanicum, one that tops its predecessor if only for the clarity that director Mike Peebler (doing outstanding work) and his all-around sensational cast bring to Cain’s labyrinthine tale.
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WHAT I LEARNED IN PARIS
Friday, September 12th, 2014
The 1973 election of Maynard Jackson as Atlanta’s first African-American mayor is merely the backdrop for Pearl Cleage’s What I Learned In Paris, a romantic roundelay Noël Coward could have confectioned, its made-for-each-other exes J.P. and Evie giving Private Lives’ Elliot and Amanda a run for their money, albeit with a good deal more soul.
Following its 2012 World Premiere at Atlanta’s Alliance Theatre, Cleage’s entertaining if overlong comedy now arrives at Burbank’s Colony Theatre with some sparkling performances and an often fascinating look back at the heady changes wrought by the previous two decades’ Civil Rights crusade and the then burgeoning Feminist Movement.
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