BEIRUT
Monday, September 8th, 2014NOT RECOMMENDED
If a two-character opposite-sex love story with no specific gay content seems a curious choice for an LGBT theater, then Theatre Out’s revival of Alan Bowne’s Beirut proves even more problematic for its dull, dated look at the AIDS crisis as seen through a heterosexual lens.
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CONVICTION
Sunday, September 7th, 2014
A long-married suburban couple and their seventeen-year-old son attempt to survive the aftermath of a terrible, life-destroying accusation in Carey Crim’s powerful, provocative new play Conviction, which though still in need of work, receives an outstanding World Premiere co-production at Ventura’s Rubicon Theatre.
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THE WESTERN UNSCRIPTED
Saturday, September 6th, 2014
They’ve improvised Shakespeare. They’ve improvised Film Noir and The Twilight Zone. They’ve improvised Jane Austen, Charles Dickens, and Chekhov. They’ve even had the chutzpah to improvise Stephen Sondheim, music, lyrics, and all. And now the improv geniuses who call themselves Impro Theatre are back for business at the Falcon Theatre with their latest (and one of their very best) confections to date—improvising a full-length “feature film” live onstage in that most quintessential of American movie genres: The Western UnScripted.
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GYPSY
Friday, September 5th, 2014RECOMMENDED
Principal performers doing pro-level work highlight One More Productions’ revival of the Broadway classic Gypsy, and despite instances of age-inappropriate casting that make it seem at times more High School Musical than Professional Production, the Arthur Laurents-Jule Styne-Stephen Sondheim classic ends up a crowd-pleaser.
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IT’S JUST SEX
Monday, September 1st, 2014
A dinner party that morphs into a spouse-swapping swingers’ bash may well be the hook that has attracted audiences to Jeff Gould’s It’s Just Sex – A Comedy About Lust & Trust since its World Premiere at the Whitefire back in 2002, but it’s the playwright’s perceptiveness about male-female relationships, the depth he gives his characters, and the unexpected life changes each couple ends up undergoing that has turned It’s Just Sex into L.A.’s longest-running comedy (factoring in its later runs at the Zephyr and the Two Roads), sent it off-Broadway in 2013, and have now brought it back to NoHo’s Secret Rose Theatre with an upcoming Las Vegas run likely in the cards.
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BULRUSHER
Monday, September 1st, 2014
The power of live theater to transport an audience to another time, another place, while exploring and revealing the mysteries of the human heart, is made gorgeously, magically clear in Skylight Theatre Company and Lower Depth Theatre Ensemble’s co-production of the Los Angeles premiere of Eisa Davis’s Pulitzer Prize finalist Bulrusher.
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REGRETS ONLY
Sunday, August 31st, 2014
It’s a measure of how much times have changed over the less than eight years since Paul Rudnick’s Regrets Only debuted off-Broadway that Rudnick’s contemporary comedy has already become what some critics might call “dated” … and it’s a measure of Rudnick’s comedic mastery that this matters not a whit, not with characters as wedding-cake delectable as those now onstage at San Diego’s Diversionary Theatre, and certainly not in a production as pitch-perfect as the one Jessica John has directed for America’s third-oldest continuously-producing LGBT theater.
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PSYCHE: A MODERN ROCK OPERA
Saturday, August 30th, 2014NOT RECOMMENDED
A sensational cast, phenomenal choreography, a spectacular production design, and Michael Matthews’s imaginative direction do everything possible to make the most of Cindy Shapiro’s Psyche: A Modern Rock Opera. Unfortunately, the gifted team’s best efforts can’t rescue “Psyche The Musical” from its ponderous libretto, mostly tedious tunes, and lyrics that clunk where they should soar.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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