BRIGHT STAR
Wednesday, October 8th, 2014
Some of the most gorgeous songs I’ve heard in a new musical plus a bevy of equally memorable performances bode well for the post-World Premiere future of Steve Martin and Edie Brickell’s Bright Star despite an “original story” so reminiscent of this or that 1930s/40s Hollywood weeper that audience members may find themselves convinced they’re watching the musical stage adaptation of an oldtime Barbara Stanwyck/Claudette Colbert flick. (Not that there’s anything wrong with that.)
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BETTER
Monday, October 6th, 2014
When humorist Erma Bombeck wrote about “loving, laughing, defending, and trying to figure out the common thread that [binds] us all together,” the family she was referring to could easily have been the one to whose nest successful New York restaurateur Annie returns to face her father’s imminent death in Jessica Goldberg’s funny, perceptive, beautifully acted and directed new drama Better, the latest World Premiere from The Echo Theater Company.
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YOU’RE A GOOD MAN, CHARLIE BROWN
Sunday, October 5th, 2014
Lucy and Linus and Schroeder and Sally and Snoopy and the Good Man himself are alive and well and singing and dancing and reawakening memory after memory after memory as Sustaining Sound Theatre Company and Chromolume Theatre present their family-pleasing intimate revival of You’re A Good Man, Charlie Brown.
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THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE
Saturday, October 4th, 2014
A bunch of up-and-coming musical theater performers have joined forces as Yutopian Entertainment to do what up-and-coming musical theater performers do best—put on a show (in this case William Finn and Rachel Sheinkin’s The 25th Annual Putnam County Spelling Bee), and the show they have put on ends up easily rivaling the best of the now dozen Spelling Bees I’ve attended so far.
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MELISSA ARCTIC
Saturday, October 4th, 2014
Magic is being made at North Hollywood’s Road Theatre, and not just the slight-of-hand illusions in Alby Selznick’s much-extended Smoke And Mirrors at the Road-on-Lankershim. Magic of the purely theatrical sort lights up the stage of The Road’s spiffy new Magnolia space with the West Coast Premiere of Craig Wright’s Melissa Arctic, as enchanted (and enchanting) a production as any theater lover could possibly wish for.
SCARY MUSICAL The Musical
Friday, October 3rd, 2014RECOMMENDED
Stellar performances and a laugh-packed book are the best reasons to catch Richard Hochberg and Michael Paternosto’s SCARY MUSICAL The Musical. What’s still missing are the kind of catchy, hummable tunes that would take the creative duo’s deliciously campy send-up of Psycho, Carrie, Halloween, and other assorted scream-fests beyond its current NoHo Arts Center World Premiere run.
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CHOIR BOY
Wednesday, October 1st, 2014
A gay African-American prep school student comes of age in the Geffen Playhouse West Coast Premiere of Tarell Alvin McCraney’s play-with-music Choir Boy, exquisitely performed by an all-around superb cast and impeccably helmed by its original New York/Atlanta director.
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THE GOAT, OR WHO IS SYLVIA?
Tuesday, September 30th, 2014
A different kind of Love That Dare Not Speak Its Name speaks its name in Edward Albee’s Tony Award-winning Best Play Of 2002, The Goat, Or Who Is Sylvia?, the latest from the theater and director who revived Ira Levin’s Deathtrap to brilliant, controversial life a couple years back—and that’s about all I have to say about the team’s latest production before launching into a spoiler-filled second paragraph. Proceed with caution.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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