AMERICAN WEE-PIE
Tuesday, March 31st, 2015
Cupcakes offer a down-on-his-luck textbook editor a new lease on life in Lisa Dillman’s magical, whimsical American Wee-Pie, now getting its Los Angeles Premiere in one of my favorite Theatre 40 productions ever.
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A DOG’S HOUSE
Monday, March 30th, 2015
The webs we weave when first we practice to deceive don’t get any more tangled than the latticework of lies one couple tells another in Micah Schraft’s A Dog’s House, the latest IAMA Theatre Company World Premiere, and every bit the hilariously edgy, high-impact experience IAMA has been offering L.A. audiences for the past eight years.
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JULIUS CAESAR
Sunday, March 29th, 2015
When staging Shakespeare for a contemporary audience who’s seen each of the Bard’s plays a gazillion times, it all comes down to acting, design, and execution, and A Noise Within scores three for three in their Spring 2015 season production of Julius Caesar.
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CLASS
Sunday, March 29th, 2015
What starts out a bright and breezy odd-couple romcom turns into something considerably richer and more rewarding as the Falcon Theatre presents the West Coast Premiere of Charles Evered’s Class.
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TREVOR
Friday, March 27th, 2015
Laurie Metcalf and Jimmi Simpson are a mother and son unlike any you’ve ever seen on stage, on screen, or in real life for that matter, in the West Coast Premiere of Nick Jones’ Trevor, the stellar duo delivering extraordinary performances in a play you’ll be telling friends, acquaintances, and maybe even complete strangers to put at the top of their must-see list.
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PYGMALION
Tuesday, March 24th, 2015
Witty comedy, incisive social commentary, unconventional love story, and the inspiration for what many consider the greatest Broadway musical ever—George Bernard Shaw’s Pygmalion is all this and (as revived for a 21st-century audience at the Pasadena Playhouse) much, much more.
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BACHELORETTE
Sunday, March 22nd, 2015
Mean girls reign supreme in Bachelorette, Leslye Headland’s acidly funny glimpse into the ugliness that can hide behind pretty faces, back for a return L.A. engagement just a mile from where its 2008 World Premiere put playwright Headland and IAMA Theatre Company on the map.
This time round it’s the year-old Mine Is Yours Theatre Company who bring Becky, Gena, Katie, and Regan (and a couple of not-so-nice young men) to hilariously vicious life, and though these are not folks you’d normally want to spend even an hour with, Bachelorette’s ninety minutes add up to outrageously biting entertainment, albeit quite the opposite of “sugar and spice and everything nice.”
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HENRY IV, PART ONE
Friday, March 20th, 2015
Outstanding performances and a stylish contemporary design distinguish The Antaeus Company’s 2015 season opener, William Shakespeare’s Henry IV, Part One. A hefty three-hour running time may test the patience of those for whom “90 Minutes No intermission” are the sweetest four words ever heard, but Bard fans will definitely feel they’ve gotten their money’s worth with this one.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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