MARY POPPINS

Forget practically perfect. Only someone as nitpicking as Mary Poppins herself could find nits to pick with the Disney and Cameron Mackintosh Broadway smash as produced to utter perfection by La Mirada Theatre For The Performing Arts and McCoy Rigby Entertainment.
(read more)

SWEET SMELL OF SUCCESS

Musicals don’t get any more dark and twisted (or come with scores any more gorgeous) than the rarely staged Sweet Smell Of Success, just two of the many reasons to catch UC Irvine’s sensational all-student production, one that rivals the best our professional companies have to offer, albeit with a far more youthful cast.
(read more)

THE IDIOT BOX

If you could live your life in sitcom land and just forget about war, poverty, homelessness, and the complexities of human sexuality, would you?

Playwright Michael Elyanow poses this question in his very funny, very smart The Idiot Box, back for only its second L.A. production ever, and a highly entertaining one at that as staged by Theatre 68 at the NoHo Arts Center.
(read more)

A NEW BRAIN

Brilliant direction + imaginative choreography + ten terrific performances = more than enough reason for a road trip to San Diego to catch Diversionary Theatre’s pitch-perfect intimate staging of William Finn’s rarely revived A New Brain.
(read more)

THE HOUSE OF YES

Siblings don’t get any more twincestuous than Anthony and Jackie-O Pascal, the brother-sister protagonists of Wendy MacLeod’s delectably dark The House Of Yes, back for a terrifically acted 25th-anniversary revival at the Zephyr on Melrose.
(read more)

SPRING AWAKENING

Deaf West’s smash revisal of the Broadway musical hit Spring Awakening has transferred from its Fall 2014 run in the heart of Skid Row to glamorous Beverly Hills, one of the most noteworthy success stories of Los Angeles’s endangered 99-Seat Theatre Plan … and mark my words. You won’t see direction more brilliant nor a cast more gifted nor a production more awe-inspiring than the one now playing at the Wallis Annenberg Center For The Performing Arts.
(read more)

ENTROPY

It cost Warner Brothers a hundred million dollars to make Gravity. It’s probably cost Theatre Of NOTE one or two ten-thousandths of that to stage Entropy, and believe me, the latest from NOTE is a lot more fun than that Oscar-winning Alfonso Cuarón flick. A whole lot more fun.
(read more)

KISS OF THE SPIDER WOMAN

RECOMMENDED

Kander and Ebb’s Kiss Of The Spider Woman is back in a rarer-than-rare revival at Santa Ana’s Theatre Out, news that would be a good deal more exciting were its leading lady a better fit for the title role.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »