DEATHTRAP

Thrills and chills and gasp-worthy plot twists galore highlight the topnotch revival of Ira Levin’s Broadway suspense classic Deathtrap now exciting and delighting audiences on the proscenium stage of the historic Sierra Madre Playhouse.
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IF/THEN

For everyone who has ever wondered just how different things might have been had they not made that one single life-altering decision, the National Tour of Broadway’s If/Then has arrived at the Segerstrom Center For The Arts, the last stop before its Tony-nominated star and two other original cast leads exit the tour, and if that’s not already enough to send you down Costa Mesa way, rest assured, this engaging, unpredictable, emotionally potent new musical is well worth the drive.
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GUYS AND DOLLS

Damon Runyon’s picturesque band of New York denizens have arrived in Claremont for an all-around terrific revival of Frank Loesser’s 1950 Broadway classic Guys And Dolls.
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PRIVATE EYES

Reality and fiction. Truth and lies. Has any playwright had more fun fooling (and delighting and engaging) an audience than Steven Dietz does in Private Eyes, the best straight-play production I’ve seen at Santa Monica’s venerable community theater, the Morgan-Wixson, and one that easily holds its own against the top professional houses in town.
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DEN OF THIEVES

Organized crime meets a quartet of disorganized would-be criminals to wild and wacky effect in Stephen Adly Guirgis’s Den Of Thieves, now getting a hilarious 20th-anniversary revival by 2Cents Theatre Group.
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THE ABSOLUTE BRIGHTNESS OF LEONARD PELKEY

The Absolute Brightness Of Leonard Pelkey, James Lecesne’s hilarious, touching stage adaptation of his 2008 novel has arrived as a guest production at the Kirk Douglas Theatre only months after generating plenty of well-earned off-Broadway buzz for its author-performer.
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THE MADWOMAN IN THE VOLVO

RECOMMENDED

Solo queen Sandra Tsing Loh has arrived at South Coast Rep with a couple of guest actresses in tow for The Madwoman In The Volvo, an autobiographical look at menopause and infidelity more likely to appeal to female theatergoers forty-five and older than to those who don’t fit this specific demographic.
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TIMESHARE

RECOMMENDED

A ragtag sales staff’s attempts to convince would-be buyers to take a chance on the proverbial “deal of a lifetime” add up to a series of wild-and-wacky Act One vignettes till a pre-intermission plot twist sends Steve B. Green’s World Premiere comedy Timeshare into darker, somewhat less successful territory.
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