THE GLASS MENAGERIE

The wordless five-minute sequence that introduces us, heartstoppingly, to a Tom Wingfield haunted by memories that even years of distance have been unable to extinguish is but the first indication that Christian Lebano’s vision for Tennessee Williams’ most enduring classic is one we have not yet seen, and one that we will be talking and thinking about long after the light dims on the last of Tom’s sister’s precious Glass Menagerie.
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A WALK IN THE WOODS

The Cold War arms race provides a provocative backdrop for the Pulitzer Prize finalist A Walk In The Woods, Lee Blessing’s dramedic look at the odd-couple friendship that develops in the late 1980s between a veteran Soviet arms negotiator and his younger American counterpart, now getting a crowd-pleasing revival at Long Beach’s International City Theatre.
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THE BIG MEAL

The meet-cute sequence that introduces us to 20somethings Sam and Nicole is but the preamble to The Big Meal, Dan LeFranc’s remarkable meditation on birth, death, life, love, and the whole damn thing, now getting a laughter-and-tear-filled Southern California Premiere that is one of Chance Theater’s finest intimate productions ever.
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AMERICAN IDIOT

Generation Y-ers have set up shop for the next couple weeks at the La Mirada Theatre For The Performing Arts in the very best of the five incarnations I’ve seen so far of Green Day’s addictive rock musical American Idiot.
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THE BOY FROM OZ

Australian entertainment legend Peter Allen lives again as Celebration Theatre treats SoCal audiences to the long-awaited West Coast Premiere of the 2003 Broadway smash The Boy From Oz, the most all-around sensational L.A. intimate-theater musical I’ve seen since the Celebration’s award-sweeping The Color Purple four years back.
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HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

J. Pierpont Finch is once again learning How To Succeed In Business Without Really Trying as Candlelight Pavilion treats Southland audiences not only to its savory cuisine but to the 1961 Frank Loesser/Abe Burrow Broadway gem, adding up to one all-around delicious evening (or afternoon) of musical theater.
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TORCH SONG TRILOGY

RECOMMENDED International Stud
RECOMMENDED Fugue in a Nursery
Widows And Children First!

Andrew J. Villarreal gives the year’s most extraordinary performance as flamboyant but mush-hearted Jewish drag queen Arnold Beckoff in Harvey Fierstein’s Torch Song Trilogy, making Theatre Out’s rarer-than-rare revival well worth seeing despite the flawed execution of the first two of its three one-act plays.
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THE END TIMES

A university student raised in a religious cult finds himself beginning to doubt his lifelong beliefs in Jesse Mu-En Shao’s World Premiere drama The End Times, an engrossing, thought-provoking first collaboration between Skylight Theatre Company and Playwrights’ Arena.
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