THE TWO KIDS THAT BLOW SHIT UP

Playwright Carla Ching takes a tried-and-true formula (best friends who can’t quite get it into their noggins that they are Made For Each Other) and turns it on its head in her World Premiere dramedy The Two Kids Who Blow Shit Up, not only L.A. theater at its intimate best but a textbook example of how #diversity works.
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PARALLEL LIVES


A pair of busy TV actresses prove they can light up the Falcon Theatre stage as brightly as they shine on the small screen in Parallel Lives, the talented twosome bringing character after character after character to hilarious (and occasionally poignant) life while managing at the same time to comment on gender, age, sexuality, and the whole damn thing.
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TITANIC

Titanic sails again, and breathtakingly so, as Moonlight Stage Productions gives Peter Stone and Maury Yeston’s Titanic the kind of production that might have transformed the 1997 Broadway money-loser into the box office bonanza it deserved to be.
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DRAMA QUEENS FROM HELL

NOT RECOMMENDED

Significant trimming and tweaking is needed to make Peter Lefcourt’s Hollywood-spoofing Drama Queens From Hell the comedy hit it aspires to be despite some occasional insider hilarity and several deliciously scene-stealing performances.
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NEXT TO NORMAL

The 99-seat Pico Playhouse proves a just-right setting for a compelling, powerfully-performed intimate staging of Tom Kitt and Brian Yorkey’s Next To Normal, one of only nine musicals in Broadway history to have won the Pulitzer Prize.
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GO BACK TO WHERE YOU ARE

There’s a whole lot of fourth-wall-breaking going on in Go Back To Where You are, David Greenspan’s magical seventy-five minute bit of meta-theatrical romance and whimsy now getting an admittedly brain-challenging but absolutely captivating West Coast Premiere by the Odyssey Theatre Ensemble.
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PETER AND THE STARCATCHER

Theatrical magic doesn’t get much more magical than the magic being made at the Simi Valley Cultural Arts Center as Actors Repertory Theatre Of Simi enchants audiences of all ages with their supremely imaginative albeit scaled-down production of Broadway’s Peter And The Starcatcher.
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THE IMAGINARY INVALID

Theatricum Botanicum legend Ellen Geer follows her 2014 Queen Lear with another gender-bending star turn, this time as Molière’s Malade Imaginaire, aka The Imaginary Invalid, Constance Congdon’s 21st-century adaptation turning a three-and-a-half-century-old farce into a playfully raunchy laughfest that would do Mel Brooks proud.
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