NEVERMORE

Imagine an Edgar Allan Poe story with Poe himself as protagonist and you’ve got Nevermore, Matt Ritchey’s theatrical riff on The Fall of the House of Usher (with bits of The Pit And The Pendulum and The Tell Tale Heart thrown in for good measure), arriving at Theater Unleashed in time for Halloween in a production that could be better, but provides just enough laughs and thrills to make for ‘60s thriller movie-style fun.
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SEMINAR

What Terrence Spencer was to his tyrannized music students in Damien Chazelle’s Oscar-winning Whiplash, so novelist-turned-magazine correspondent Leonard is to the equally intimidated writers attending his uber-pricey workshop in Theresa Rebeck’s darkly comedic, dramatically potent Seminar, now being given a terrific Chance Theater Orange County Premiere.
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BEAUTIFUL: THE CAROLE KING MUSICAL

A sensational lead performance by Broadway understudy-turned-National Tour star Julia Knitel and over two dozen ‘50s/‘60s hits (most of them written by a certain Carol Joan Klein and the man she married at seventeen and divorced ten rocky years later) make Beautiful: The Carole King Musical a must-see for pop music lovers and Broadway buffs alike.
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OUR TOWN

Inspired direction, refreshing diversity in casting, and striking production design breathe fresh new life into Our Town, Thornton Wilder’s classic bit of Americana that first astonished audiences in 1938 with its then revolutionary look at birth, life, love, and what comes after.
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JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

Cecil B. DeMille meets Vegas meets pop-rock at its most eclectic in Broadway superstar-turned-director Marc Kudisch’s endlessly entertaining retelling of Lord Andrew Lloyd Webber’s very first hit musical, and if you think you’ve seen Joseph And The Amazing Technicolor Dreamcoat before, think again. You’ve never seen one quite like 3-D Theatricals’ stand-up-and-cheer 2016-2017 season opener.
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DEAR WORLD

When was the last time you got to experience Jerry Herman’s Dear World? If you’re the most fortunate of Angelinos, it was probably way back in 2003 at Musical Theatre Guild’s one-performance-only concert staged reading of the 1969 Broadway gem, that was until last night when Cal State Northridge’s Valley Performing Arts Center opened its 2016-17 season with Dear World In Concert, starring an exquisite Tyne Daly as Countess Aurelia, the Madwoman of Chaillot.
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FOR THE RECORD: SCORSESE – AMERICAN CRIME REQUIEM

L.A.’s uber-popular For The Record franchise once again dazzles, this time with an absolutely stunning Broadway-scale, Broadway-caliber For The Record: Scorsese – American Crime Requiem at Beverly Hills’ sumptuous Wallis Annenberg Theatre.
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VICTOR/VICTORIA

Roles made famous on the big screen by Julie Andrews, James Garner, Robert Preston, and Lesley Ann Warren give a quartet of Southland musical theater stars the chance to shine on the big stage in Inland Valley Repertory Theatre’s three-performance-only revival of the Broadway hit Victor/Victoria, one whose Henry Mancini/Leslie Bricusse score still offers multiple delights but whose creaky Blake Edwards book could do with a major rewrite.
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