URINETOWN

Annie, Cabaret, Dreamgirls, Grease, Hair, Mame, Pippin, Rent. One-word-titled Broadway smashes go all the way back to the birth of the modern American musical. (Showboat or Oklahoma!, you take your pick.) Still, there’s never quite been a modern American musical like Urinetown, proof positive of which can be marveled at in director Kari Hayter’s exhilarating intimate-stage revival, the latest from L.A.’s “Pay What You Want” Coeurage Theatre Company.
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A TIME TO KILL

Theatre 68 inaugurates its new, spiffily remodeled Lankershim digs with Rupert Holmes’ skillful 2013 Broadway stage adaptation of John Grisham’s A Time To Kill, an edge-of-your-seat West Coast Premiere likely to prove right up any courtroom-drama lover’s alley.
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A TASTE OF HONEY

Teenage Jo comes of age once again in A Taste Of Honey, Shelagh Delaney’s groundbreaking slice of mid-20th-century Manchester life made must-see at West L.A.’s Odyssey Theatre by its native Mancunian star’s haunting lead performance.
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LEND ME A TENOR

A sensational cast performing under Art Manke’s inspired direction make McCoy Rigby Entertainment’s pitch-perfect revival of Ken Ludwig’s 1986 smash Lend Me A Tenor a crowd-pleaser if there ever was one, and the best possible reason to brave L.A. traffic for an evening of farce at its most fabulous at the La Mirada Theatre For The Performing Arts.
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AMADEUS

Inland Valley Repertory Theatre closes its 2015-16 season at Candlelight Pavilion with a sumptuous big-stage revival of Peter Shaffer’s Amadeus made memorable by Ron Hastings’ riveting lead performance.
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VICUÑA

A $110,000 vicuña wool suit may be all that stands between business tycoon-turned-reality TV host-turned Republican Presidential nominee Kurt Seaman and the White House in Jon Robin Baitz’s ripped-from-today’s-headlines Vicuña, a Kirk Douglas Theatre World Premiere drama that proves as hilarious as it is gripping and talk-provoking.
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RETURN TO THE FORBIDDEN PLANET

Shakespeare meets 1950s sci-fi meets ‘50s/‘60s rock ‘n’ pop in Bob Carlton’s outta sight outer space musical spoof Return To The Forbidden Planet, the latest from Rubicon Theatre and as fun an evening as you’re likely to have up Ventura way, or just about anywhere else for that matter.
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THE MAIDS

Stunning performances and a striking production design make A Noise Within’s revival of Jean Genet’s The Maids a must for fans of mid-20th-century French experimental theater. Those less fond of avant-garde fare will find Genet’s talky tale of twisted sisters a considerably tougher go.
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