THE HEART OF ROBIN HOOD

If you think (or hope) you’ve seen the last of Robin Hood, think again. The Heart Of Robin Hood has arrived at the Wallis, and any lover of theatrical magic and thrills who skips this Robin because they’ve already seen Errol or Kevin or Russell bring Mr. Hood to the silver screen should suffer one of evil Prince John’s unspeakable punishments, or at the very least a good tongue-lashing. Trust me. You’ve never seen Robin Hood (or any on-stage adventure story) quite like this theatrical dazzler.
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BAREFOOT IN THE PARK

Inspired direction and a pitch-perfect cast make barebones blackbox magic this week only at Silver Lake’s Lyric Hyperion Theatre in the 1963 Neil Simon romcom classic Barefoot In The Park.
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LEVI! A NEW MUSICAL

A stellar Marc Ginsburg and more than a dozen unsung Sherman Brothers songs are the best reasons to catch the World Premiere of the old-and-new Levi! A New Musical, the latest from the students of LACC’s Theatre Academy.
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bled for the household truth

If a tightly-wound New York male and a free-spirited Manchester female sharing NYC digs sounds like the latest take on Neil Simon’s The Odd Couple, think again. Ruth Fowler’s bled for the household truth may have an uncomfortable laugh every now and then, but what the Welsh playwright has up her twisted sleeve in this Rogue Machine World Premiere proves the darkest, most disturbing, and quite possibly the most compelling play in town.
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deLEARious

deLEARious, Phil Swann and Ron West’s deliciously clever, delightfully tuneful musical within a musical within a musical is back for a 9th-anniversary Open Fist Theatre Company revival guaranteed to tickle musical theater buffs and Shakespeare aficionados alike.
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THE TRAGEDY

Whether you find The Tragedy, D.G. Watson’s twisty-turny tale of three young Hollywood talent managers in search of the stroke of genius that will save their floundering business a piece of theatrical brilliance or a hallucinogenic hot mess may depend on how many shrooms you’ve consumed before lights-up. In either case, this often outrageously funny Ammunition Theatre Company World Premiere is like nothing else now playing on L.A. theater stages.
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DRIVING MISS DAISY

A revelatory Donna Mills lights up the Colony Theatre stage as the title character in Driving Miss Daisy, Alfred Uhry’s Pulitzer Prize-winning look back in time at an aging Southern Jewish widow and the African-American driver foisted upon her by her adult son in the years just preceding the Civil Rights Movement.
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A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

There’s a new kid on the Garry Marshall Theatre block from now through December 10 as stage-screen-recording star Joey McIntyre takes on the lead in the Marshall’s deliciously entertaining, ingeniously streamlined staging of the farcical delight that is A Funny Thing Happened On The Way To The Forum.
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