INTO THE WOODS

Revivals don’t come any more thrillingly imaginative than Fiasco Theater’s brilliantly re-imagined Into The Woods, now paying a visit to the Ahmanson Theatre in a production no musical theater lover will want to miss.
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THE SIEGEL

An out-of-the-blue wedding proposal a full two years after a couple’s breakup is hardly a conventional way to start off a romantic comedy, but the originality of this opening salvo is just one reason why Michael Mitnick’s The Siegel is such a South Coast Repertory treat.
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THIS IS OUR YOUTH

Two decades before Manchester By The Sea won him a Best Original Screenplay Oscar, Kenneth Lonergan burst upon the theatrical scene with This Is Our Youth, the then 30something playwright’s funny, biting, perceptive look at three privileged but disaffected 20ish New Yorkers in the early Reagan ‘80s, a coming-of-age tale that now provides three 20ish L.A. acting up-and-comers with a terrific vehicle to strut their comedic-dramatic stuff.
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MAN OF LA MANCHA

Stunningly staged and strikingly redesigned, A Noise Within’s Man Of La Mancha takes a half-century-old musical theater classic and gives it 21st-century relevance while reminding audiences why the 1965 Best Musical Tony winner has stood the test of time in a way the same year’s Skyscraper, Pickwick, and It’s A Bird…It’s A Plane…It’s Superman have not.
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THE COMPLETE HISTORY OF COMEDY (ABRIDGED)

Reed Martin and Austin Tichenor’s The Complete History Of Comedy (abridged) has arrived in beautiful downtown Toluca Lake, the latest from Garry Marshall’s Falcon Theatre, and if there aren’t nearly as many chuckles, giggles, titters, and guffaws as audiences might wish, more of its jokes hit the mark than fizzle.
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RULES OF SECONDS

With Alexander Hamilton and Aaron Burr dueling it out eight times a week on Broadway, the timing could not be more auspicious for John Pollono’s audacious, irreverent, wholly original Rules Of Seconds, now playing at DTLA’s Los Angeles Theatre Center.
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BUILDING THE WALL

Donald Trump’s campaign promise to rid America of its millions upon millions of “illegal aliens” reaches extremes that would do a certain WWII dictator proud in Building The Wall, Robert Schenkkan’s ham-fisted “It darn well could happen here!” two-hander now getting the first of a series of rolling World Premieres at the usually laudable Fountain Theatre.
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LITTLE CHILDREN DREAM OF GOD

Miami reality meets Haitian black magic in Jeff Augustin’s Little Children Dream Of God, a stunningly directed, designed, and performed Road Theatre Company West Coast Premiere.
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