THE LYONS

Ben, Rita, Lisa, and Curtis Lyons give the Lomans, the Tyrones, and the Giddenses a run for their dysfunctional family money, albeit with considerably more laughter-provoking results in Nicky Silver’s The Lyons, the latest darkly comedic bit of brilliance from The Road Theatre Company, a Los Angeles Premiere incisively directed by Scott Alan Smith.
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ACTUALLY


We all know that “No” means “No,” but what’s a college student to think and do when the young woman with whom he thinks he’s having consensual, albeit drunken sex tells him “Actually, um…” mid-coitus?

Anna Ziegler takes this question as her point of departure in Actually, the New York playwright’s darkly comedic, compellingly dramatic look at sex, race, gender, and booze now getting a first-class co-World Premiere* production at the Geffen.
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FEFU AND HER FRIENDS

If, as Shakespeare put it, the play’s the thing, then I must confess that Maria Irene Fornés’s avant-garde Fefu And Her Friends is not my thing, that is unless it happens to performed inside (and in the gardens of) the architectural masterpiece that is Frank Lloyd Wright’s Hollyhock House. For its one-of-a-kind setting alone, Hollyhock Fefu merits attention (if not absolute affection).
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ARCHDUKE

Leave it to playwright Rajiv Joseph to turn the assassination of Archduke Franz Ferdinand at Sarajevo, the event that led directly to the outbreak of the First World War, into Archduke, not only the year’s screwballsiest comedy but one with contemporary relevance in a world of suicide bombers and suicide voters.
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FARRAGUT NORTH

Farragut North, Beau Willimon’s riveting look at the behind-the-scenes maneuverings and back-stabbings of a Presidential primary campaign, a Geffen Playhouse hit just months after the first Obama win, now gets a solid Odyssey Theatre guest production with a far different man in the White House.
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THE HOUSE IN SCARSDALE: A MEMOIR FOR THE STAGE

A disowned playwright embarks on a quest to uncover his dysfunctional family’s long-buried truths in Dan O’Brien’s powerful, poetic autobiographical memory play The House In Scarsdale: A Memoir For The Stage, now being given a superbly acted, directed, and designed World Premiere Production at The Theatre @ Boston Court.
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HELLO AGAIN

Sex × 10 + book, music, & lyrics by Michael John LaChiusa’s = Hello Again, LaChiusa’s edgy, seductive, unapologetically unhummable chamber musical adaptation of Arthur Schnitzler’s 1897 classic La Ronde, the stellarly cast, terrifically performed, audience-challenging latest from Chromolume Theatre.
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OF MICE AND MEN

Spencer Cantrell and Gregory Crafts give riveting performances as migrant farm workers George and Lenny in Theatre Unleashed’s intimate revival of John Steinbeck’s classic tale of human loneliness and impossible dreams, the 20th-century classic Of Mice And Men.
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