BLUES IN THE NIGHT

Chester Gregory may have Yvette Cason, Paulette Ivory, and Bryce Charles singing the lovesick blues from dusk to dawn, but for audiences at The Wallis, Sheldon Epps’ 1982 Best Musical Tony nominee Blues In the Night proves this year’s feel-best musical revue.
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SINGIN’ IN THE RAIN

Springtime skies may be cloudless in Claremont, but audiences will be Singin’ In The Rain through June 2nd at Candlelight Pavilion Dinner Theatre’s terrific big-stage revival of Broadway’s 1985 take on the 1952 Gene Kelly-Donald O’Connor-Debbie Reynolds MGM classic.
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NOISES OFF

A Noise Within re-revives its all-time biggest money-maker, Michael Frayn’s Noises Off, guaranteeing audiences two-and-a-half hours of comedic bliss, and not just in Acts One, Two, and Three. This farce-to-end-all-farces is so out-and-out hilarious, you may even find yourself experiencing delayed-reaction laughter during intermissions.
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GOOD PEOPLE

Good People’s Orange County Premiere makes at least two things abundantly clear. First of all that David Lindsay-Abaire’s 2011 Broadway hit is easily one of the past decade’s finest, most compelling new plays, and second, that Chance Theater continues to reign supreme among intimate OC stages.
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42nd STREET

Palos Verdes Performing Arts welcomes a fabulous lead cast and twenty of L.A.’s most precision tappers for their crowd-pleasing revival of Gower Champion’s 1980 Broadway megasmash 42nd Street.
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WEST SIDE STORY

Glendale Centre Theatre presents West Side Story as you may never have seen it before–up close and in the round. Terrific lead and supporting performances guarantee GCT yet another hit, and whenever the production’s top-drawer dance ensemble launch into one of Jerome Robbins’s iconic dance numbers as adapted by Orlando Alexander, the show takes particularly high flight.
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LOVE NEVER DIES

The music is gorgeous, the plot ridiculous, and the show’s raison d’etre purely monetary, but for those curious to know what happened to the Phantom and Christine a decade after the chandelier fell in the Paris Opera House, Andrew Lloyd Webber’s Love Never Dies provides answers this week and next at the Segerstrom Center For The Arts.
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BELLEVILLE

Young marrieds don’t get much more appealing than Americans in Paris Abby and Zack, but don’t let their Meg Ryan-Tom Hanks looks and charm fool you into thinking Amy Herzog’s Belleville will be the next big romcom. What the Obie-winning Pulitzer Prize finalist has up her sleeve in Belleville is something considerably darker and more twisted, just one reason the latest from the Pasadena Playhouse is one of the season’s must-see productions.
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