SPRING AWAKENING

A century before Spring Awakening The Musical took Broadway by storm (and won eight Tony awards in the bargain), German playwright Frank Wedekind shocked and outraged audiences on both sides of the Atlantic with Frühlings Erwachen, whose 2007 Jonathan Franzen translation proves a sensational UCLA Department Of Theater showcase for its director, designers, and cast.
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FOREVER BOUND

Expect the unexpected from the money-making scheme concocted by the cash-starved protagonists of Steve Apostolina’s astonishing Forever Bound, now getting a rock-your-socks-off World Premiere at the Atwater Village Theater
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THE SISTERS ROSENSWEIG

Sara, Gorgeous, and Pfeni Rosensweig are back and every bit as smart and sassy and engaging at South Coast Repertory as they were when playwright Wendy Wasserman, fresh from her Pulitzer Prize win for The Heidi Chronicles, debuted The Sisters Rosensweig back in 1992.
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ELEVADA

A rather nonsensical premise is all that’s holding back Sheila Callaghan’s Elevada from being the unqualified smash romantic comedy it sets out to be. Even so, romcom lovers like this reviewer will find themselves captivated by its terrifically acted, stunningly designed Chance Theater West Coast Premiere.
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SPRING AWAKENING

Director-choreographer-designer Madeleine Heil reinvents Broadway’s Best Musical Tony winner Spring Awakening so sensationally at NoHo’s Cupcake Theater, it’s easily one of the two or three finest of the dozen productions I’ve seen so far.
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WOOD BOY DOG FISH

Wood Boy Dog Fish, Rogue Artists Ensemble’s deliciously twisted take on Carlo Collodi’s Pinocchio has moved uptown and upscale from the Bootleg to Toluca Lake, terrific news for those who like their fairy tales dark and dirty and theatrically magical.
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BAD JEWS

Joshua Harmon’s Bad Jews is back in a terrifically acted and directed Odyssey Theatre Ensemble production that does its smart, button-pushing source material proud.
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SOFT POWER

A New York cast and production team bring Los Angeles audiences the World Premiere latest from Tony-winning playwright David Henry Hwang and Tony-winning composer-lyricist Jeanine Tesori, the crowd-pleasing East-meets-West “play with a musical” Soft Power, as audacious in concept as it is for the most part effective in execution.
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