MARY POPPINS
Friday, July 20th, 2018
In-the-round staging proves a perfect fit for Mary Poppins at Glendale Centre Theater, placing the emphasis firmly on P.L. Travers’ storytelling, the Sherman Brothers’ hum-along songs, a bunch of infectious dance numbers, and leading lady Deborah Robin, quite possibly the best of the seven Marys I’ve seen on stage.
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MUTT HOUSE
Thursday, July 19th, 2018
I defy anyone to resist the canine charmers of Mutt House, or their human companions, or the songs, or the laughter, or the romance, or the heart of this Kirk Douglas Theatre guest production, as gem-perfect an L.A. World Premiere musical as I’ve seen in at least a dog’s year.
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CRY IT OUT
Tuesday, July 17th, 2018
You don’t have to be a stay-at-home nursing mom to fall in love with Molly Smith Metzler’s Cry It Out, but if you are, this one’s especially for you, and it’s about time.
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BIG FISH
Tuesday, July 17th, 2018
Chance Theater takes full advantage of Big Fish The Musical’s newly revised “small cast edition” to transform an overblown Broadway flop into an intimate gem that could touch even a heart of stone.
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ARRIVAL & DEPARTURE
Monday, July 16th, 2018
A deaf New York film professor and a hearing-impaired bookkeeper fall head over heels into adulterous love in Arrival & Departure, playwright Stephen Sachs’ 21st-century updating of Noel Coward’s über-romantic cinematic classic Brief Encounter, a compelling, excitingly staged, terrifically acted Fountain Theatre World Premiere whose script could still use some work.
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THREE DAYS IN THE COUNTRY
Sunday, July 15th, 2018
Unrequited love has rarely been as delightful to witness as it is in Three Days In The Country, playwright Patrick Marber’s tasty new “version of” Ivan Turgenev’s considerably older (by about a hundred seventy years), longer (by an hour and a half), and stodgier (or so I’m told) A Month In The Country, and a glorious return to partner-cast form for L.A.’s crème-de-la-crème Antaeus Theatre Company.
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LYSISTRATA UNBOUND
Thursday, July 12th, 2018
Drama, dance, and Greek-style tragedy merge in Lysistrata Unbound, playwright Eduardo Machado and director-choreographer John Farmanesh-Bocca’s stunning reenvisioning of Aristophanes’ 2400-year-old tale of a woman who takes antiwar protests to a decidedly personal level.
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jackbenny
Tuesday, July 10th, 2018
The singing, songwriting twins known professionally as jackbenny (and individually as Jack and Benny Lipson) have set up monthly residency at Silver Lake’s Lyric Hyperion Café, guaranteeing audiences two hours a month of original music, laughter, an occasional cover, and a guest artist (or two or three) to spice up the already savory mix.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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