THE THEORY OF RELATIVITY

Thirteen multitalented millennials, an inspired director and choreographer, and one of the most tuneful and insightful scores in years make for musical theater magic in Neil Bartram and Brian Hill’s The Theory Of Relativity, now playing at NoHo’s Gray Studios.
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ROSENCRANTZ AND GUILDENSTERN ARE DEAD

Tom Stoppard ponders the absurdity of life and the inevitability of death in his existentialist comedy classic Rosencrantz And Guildenstern Are Dead, the thrillingly staged if occasionally inscrutable latest from A Noise Within.
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REAL WOMEN HAVE CURVES

Real women not only have curves, they join forces to bring audiences a female-fueled revival of Josefina López’s Real Women Have Curves, a Garry Marshall Theatre crowd-pleaser if there ever was one.
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BEAUTIFUL: THE CAROLE KING MUSICAL

You’d swear it was the real Carole up there singing hit after hit after hit, so spot-on is Sarah Bockel’s star-making performance as the 1960s/70s songwriting legend in Beautiful: The Carole King Musical, this week’s best entertainment bet down Orange County way.
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VANYA AND SONIA AND MASHA AND SPIKE

Squabbling siblings have rarely inspired as much laughter as they do in Christopher Durang’s scrumdiddlyumptious 2013 Best Play Tony winner Vanya And Sonia And Masha And Spike, now being given a bang-up big-stage production at South Coast Repertory.
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EVERYTHING THAT NEVER HAPPENED

Playwright Sarah B. Mantell rights centuries of wrong done Shakespeare’s Jessica, Lorenzo, and Shylock in The Theatre @ Boston Court’s adventurous, challenging Everything That Never Happened. But be forewarned and forearmed. The more familiar you are with its Merchant Of Venice protagonists, the greater the rewards of Mantell’s World Premiere romcom will be.
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AMERICAN HERO

Times are tough for the heroic “sandwich artists” of Bess Wohl’s absurdist, existentialist, surrealist, and non-stop hilarious American Hero, the latest Los Angeles Premiere from IAMA Theatre Company.
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26 PEBBLES

Playwright Eric Ulloa puts a personal face on fourth-deadliest mass shooting by a single person in U.S. history and the deadliest ever at a high school or grade school in his riveting, touching, inspiring 26 Pebbles, Beverly Hills’ Theatre 40 at its most risk-taking and cutting-edge.
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