THE GAME’S AFOOT

You don’t have to be a murder mystery fan to enjoy Ken Ludwig’s The Game’s Afoot; Or Holmes For The Holidays, but if you are, this Ludwig-meets-Conan Doyle-meets-Agatha Christie farce will prove a particularly tangy holiday treat at Pasadena’s Madeline Gardens, and one served with a high-tea dinner as scrumptious as the show itself.
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QUACK

Allegations of medical advice turned fatal threaten to destroy TV’s most beloved physician in Eliza Clark’s Quack, a Center Theatre Group World Premiere that proves as hilarious as it is timely as it is button-pushing and thought-provoking.
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TWO MILE HOLLOW

Anton Chekhov meets Aaron Spelling in Leah Nanako Winkler’s Two Mile Hollow, an Artists At Play World Premiere whose first act is so deliciously, risk-takingly hilarious, one can’t help wishing there were about a quarter-hour less of Act Two.
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THE ADDAMS FAMILY

Candlelight Pavilion Dinner Theatre welcomes the ghosts-and-goblins season with the creepy, kooky, mysterious, and spooky clan known as The Addams Family, providing Southland audiences with the snap-snappiest Halloween entertainment in town.
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VIETGONE

Romantic comedy lovers are in for a treat as a couple of Vietnamese evacuees in an Arkansas refugee camp circa 1975 fall reluctantly in love in Qui Nguyen’s Vietgone, one of East West Players’ all-around best productions in years.
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THE LITTLE FOXES

Lillian Hellman might have written The Little Foxes in post-Depression 1939, but her tale of the Alabama Hubbard clan’s quest for even more filthy lucre hasn’t aged a day, just one reason her three-act Southern-fried melodrama makes for an especially scrumptious Antaeus Theatre Company three-course meal.
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KINGS

Rising playwright Sarah Burgess takes deadly aim at the political strings pulled by big-money-powered PACs in Kings, a South Coast Repertory West Coast Premiere as entertaining as it is riveting as it is cynical about the state of our nation.
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A SPLINTERED SOUL

World War II Holocaust survivors and Los Angeles theater audiences deserve far better than the preposterously plotted 1940s B-movie melodramatics of Long Beach playwright Alan L. Brooks’ A Splintered Soul, a major misfire from the almost always stellar International City Theatre.
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