MAMMA MIA!
Tuesday, January 15th, 2019Get out your disco boots and spandex as Cupcake Theater gives L.A. audiences their very first chance to enjoy the international megasmash Mamma Mia! up close and personal.
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1776
Monday, January 14th, 2019
American history comes stirringly alive in Sherman Edwards and Peter Stone’s 1776, turning audiences at the La Mirada Theatre For The Performing Arts into flies on the walls of the Continental Congress of 1776 as our country’s Founding Fathers wrangle over the question of Independence.
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JOCASTA: A MOTHERF**KING TRAGEDY
Sunday, January 13th, 2019Technical marvels and some inventive directorial touches aren’t enough to rescue The Ghost Road Company’s Jocasta: A Motherf**king Tragedy from its performance-artsy approach to Greek tragedy and its lackluster lead.
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DESERT RATS
Tuesday, January 8th, 2019
It isn’t just aspiring kidnappers who owe it to themselves to check out Nate Rufus Edelman’s Desert Rats for a primer on what not to do when abducting a high school cheerleader but anyone seeking L.A. theater at its entertainingly edgy best.
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DEAR EVAN HANSEN
Thursday, January 3rd, 2019
A socially challenged teen experiences unexpected life changes when a well-intentioned self-esteem-building exercise backfires in the extraordinary, multiple Tony-winning Dear Evan Hansen, now bringing audiences to tears (and to their feet) at the Segerstrom Center For The Arts.
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WINK
Saturday, December 29th, 2018Casting a non-binary actor as a non-binary protagonist merits snaps, but the two-hour suspension of disbelief required of an audience by Neil Koenigsberg’s Wink sinks whatever good intentions may have prompted its playwright to put fingertips to keyboard.
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THE EIGHT: REINDEER MONOLOGUES
Sunday, December 23rd, 2018
A salacious Santa’s unspeakable indiscretions aren’t nearly so laughable in a #metoo era as they were when Jeff Goode premiered The Eight: Reindeer Monologues twenty-five Christmases ago, just one reason his quarter-century old collection of R-rated solo confessions proves even more powerful and relevant than when it debuted in 1994, a dark comedy gone darker than ever as its ingeniously staged, splendidly performed Crown City Theatre Company debut makes abundantly clear.
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SISTERS THREE
Friday, December 21st, 2018A pair of quirky contemporary adult siblings bearing more than a passing resemblance to Anne and Emily Brontë generate dramatic sparks aplenty in Jami Brandli’s Sisters Three, that is until Charlotte shows up near the end and the Inkwell Theater World Premiere turns from a mostly quite absorbing two-hander to a solo performance that goes off the deep end … way off.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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