DEATH HOUSE

What starts off as a capital punishment-vs.-life imprisonment debate develops into something considerably deeper and more powerful in Jason Karasev’s profoundly moving Death House, a Road Theatre Company World Premiere.
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SPRING AWAKENING

Outstanding performances, nuanced direction, and thrillingly original choreography (all by USC students) make Musical Theatre Repertory’s intimate staging of the 2007 Broadway musical hit Spring Awakening one of the best in a long line of Grade-A MTR productions.
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LINDA VISTA

Tracy Letts could just as easily have called his latest play Train Wreck, so hot a mess is its 50-year-old protagonist that much of the pleasure of Letts’ relentlessly funny, defiantly unsentimental Linda Vista (a Steppenwolf visitor to the Mark Taper Forum) is watching its antihero (emphasis on the anti) get what he so richly deserves.
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MAMMA MIA!

Get out your disco boots and spandex as Cupcake Theater gives L.A. audiences their very first chance to enjoy the international megasmash Mamma Mia! up close and personal.
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1776

American history comes stirringly alive in Sherman Edwards and Peter Stone’s 1776, turning audiences at the La Mirada Theatre For The Performing Arts into flies on the walls of the Continental Congress of 1776 as our country’s Founding Fathers wrangle over the question of Independence.
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JOCASTA: A MOTHERF**KING TRAGEDY

Technical marvels and some inventive directorial touches aren’t enough to rescue The Ghost Road Company’s Jocasta: A Motherf**king Tragedy from its performance-artsy approach to Greek tragedy and its lackluster lead.
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DESERT RATS

It isn’t just aspiring kidnappers who owe it to themselves to check out Nate Rufus Edelman’s Desert Rats for a primer on what not to do when abducting a high school cheerleader but anyone seeking L.A. theater at its entertainingly edgy best.
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DEAR EVAN HANSEN

A socially challenged teen experiences unexpected life changes when a well-intentioned self-esteem-building exercise backfires in the extraordinary, multiple Tony-winning Dear Evan Hansen, now bringing audiences to tears (and to their feet) at the Segerstrom Center For The Arts.
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