MAMMA MIA!

No matter how many times you’ve seen Mamma Mia!, you have never seen it as excitingly performed, expertly directed, thrillingly choreographed, or gorgeously designed as it is under Vista skies in its Moonlight Stage Productions SoCal regional debut.
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PUMP BOYS AND DINETTES

The roadside joint’s a jumpin’ just a whoop-and-a-holler east of Pasadena as the Sierra Madre Playhouse treats audiences to the infectiously entertaining Pump Boys And Dinettes.
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THE 39 STEPS

Richard Hannay is on the run again in Patrick Barlow’s masterful four-actor comedic adaptation of John Buchan’s The 39 Steps, as supremely imaginative an evening of theater as you’re likely to experience any time soon.
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SWEET CHARITY

Three-time Tony-winner Kathleen Marshall and Broadway’s original Elle Woods team up with some of L.A.’s finest musical theater talents as Reprise 2.0 treats audiences to Sweet Charity, both the 1966 Neil Simon-Cy Colemen-Dorothy Fields gem and the irrepressibly plucky title character brought to irresistible life by a sensational Laura Bell Bundy on the UCLA Freud Playhouse stage.
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THE COLOR PURPLE

Swing Nikisha Williams’ star turn as Celie, a fabulous supporting cast, and imaginative staging make the Broadway Revival Tour of The Color Purple, Alice Walker’s powerful recounting of a young black woman’s road to self-discovery and self-assertion, well worth seeing despite a minimalist scenic design ill suited to (and volume levels turned way too low for) a hall as mammoth as the Segerstrom Center For the Arts.
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THE HUNCHBACK OF NOTRE DAME

Victor Hugo’s classic tale of a deformed orphan and the tempestuous gypsy who wins his love while inflaming the lustful heart of the Catholic priest who raised him comes to musical life in PCPA Solvang’s mostly quite effective under-the-stars staging of The Hunchback Of Notre Dame marred only by a weak link in the romantic quadrangle that propels it.
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LEGALLY BLONDE

Rising musical theater star Callandra Olivia is a pretty-in-pink Harvard Law School stunner as Elle Woods in Candlelight Pavilion’s irresistible big-stage production of the 2007 Hollywood-to-Broadway hit Legally Blonde.
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MEXICAN DAY

Following the hallucinogenic surrealism of Plunge and the real-time fireworks of Tar, playwright Tom Jacobson concludes his mammoth Bimini Bath Trilogy with no less than an old-fashioned 1940s-style screwball comedy (with dramatic overtones) called Mexican Day, like its predecessors an enthralling, enlightening look at 20th-century L.A. history.
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