MUTT HOUSE
Thursday, July 19th, 2018I defy anyone to resist the canine charmers of Mutt House, or their human companions, or the songs, or the laughter, or the romance, or the heart of this Kirk Douglas Theatre guest production, as gem-perfect an L.A. World Premiere musical as I’ve seen in at least a dog’s year.
(read more)
CRY IT OUT
Tuesday, July 17th, 2018You don’t have to be a stay-at-home nursing mom to fall in love with Molly Smith Metzler’s Cry It Out, but if you are, this one’s especially for you, and it’s about time.
(read more)
BIG FISH
Tuesday, July 17th, 2018Chance Theater takes full advantage of Big Fish The Musical’s newly revised “small cast edition” to transform an overblown Broadway flop into an intimate gem that could touch even a heart of stone.
(read more)
ARRIVAL & DEPARTURE
Monday, July 16th, 2018A deaf New York film professor and a hearing-impaired bookkeeper fall head over heels into adulterous love in Arrival & Departure, playwright Stephen Sachs’ 21st-century updating of Noel Coward’s über-romantic cinematic classic Brief Encounter, a compelling, excitingly staged, terrifically acted Fountain Theatre World Premiere whose script could still use some work.
(read more)
THREE DAYS IN THE COUNTRY
Sunday, July 15th, 2018Unrequited love has rarely been as delightful to witness as it is in Three Days In The Country, playwright Patrick Marber’s tasty new “version of” Ivan Turgenev’s considerably older (by about a hundred seventy years), longer (by an hour and a half), and stodgier (or so I’m told) A Month In The Country, and a glorious return to partner-cast form for L.A.’s crème-de-la-crème Antaeus Theatre Company.
(read more)
LYSISTRATA UNBOUND
Thursday, July 12th, 2018Drama, dance, and Greek-style tragedy merge in Lysistrata Unbound, playwright Eduardo Machado and director-choreographer John Farmanesh-Bocca’s stunning reenvisioning of Aristophanes’ 2400-year-old tale of a woman who takes antiwar protests to a decidedly personal level.
(read more)
YANKEE DOODLE DANDY
Monday, July 9th, 2018A talented cast do their best to breathe life into Musical Theatre West’s Yankee Doodle Dandy, a well-intentioned but ill-conceived look back at the life of George M. Cohan, the father of 20th-century musical comedy.
(read more)