ANNE, A NEW PLAY

Anne Frank is alive and well and living in Paris when first we meet her in Anne, A New Play, Nick Blaemire’s trimmed-down adaptation of a 2014 Dutch-language hit whose powerful U.S. Premiere more than merits a visit to the Museum Of Tolerance.
(read more)

AVENUE Q

The Group Rep treats audiences to a crowd-pleasing Avenue Q, the 2004 Robert Lopez-Jeff Marx-Jeff Whitty musical comedy smash that imagines what might happen if Jim Henson’s Muppets started singing songs and teaching life lessons about adult topics like sexual orientation, racism, and Internet porn.
(read more)

BESTSELLER

The quirky young writers who populate Peter Quilter’s new comedy may have funny things to say, but engaging characters and amusing one-liners aren’t nearly enough to suggest post-World Premiere life for Bestseller, that is unless the author of Glorious! and End Of The Rainbow can provide them with something every playwright should have in his bag of tricks. A plot.
(read more)

LADIES

An all-female creative team join forces to bring a quartet of mid-18th-century pre-feminist Englishwomen to sporadically intriguing but too often meandering 21st-century life in Kit Steinkellner’s Ladies, a Boston Court Pasadena World Premiere.
(read more)

INDECENT

A gut-punching, all-too relevant look at Antisemitism, censorship, homophobia, anti-immigration hysteria, the Holocaust, and McCarthyism during the first half of the 20th Century, Paula Vogel’s Indecent is also a thought-provoking demonstration of the power of live theater to both inspire and inflame, and for Los Angeles theatergoers, a chance to see the production that scored director Rebecca Taichman a Tony win two years ago.
(read more)

A GENTLEMAN’S GUIDE TO LOVE AND MURDER

Lead performances to rival those of the original Broadway and touring casts and an ingeniously scaled-down production design are two very good reasons not to miss the hilarious salute to homicide that is Actors’ Repertory Theatre Of Simi’s A Gentleman’s Guide To Love And Murder, the murderously mirthful quadruple-Tony-winning Best Musical of 2014.
(read more)

THE LAST FIVE YEARS

If you’re any kind of musical theater buff, you’ve probably seen Jason Robert Brown’s The Last Five Years at least once. But trust me. You’ve never seen, heard, or breathed in anything like The Last Five Years: A Multisensory Experience, the latest from the adventurous After Hours Theatre Company.
(read more)

THE PAJAMA GAME

Racially diverse casting skyrockets a sixty-five-year-old Broadway classic into the 21st century without sacrificing an iota of its Golden Era charm in UCI Claire Trevor School Of The Arts’ big-stage, big-talent revival of 1954’s The Pajama Game.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »