THE PLAY THAT GOES WRONG

So nonstop hilarious is the latest National Tour playing a visit to the Ahmanson, The Play That Goes Wrong just might hold the laugh-a-minute record for a West End-to-Broadway comedy smash.
(read more)

MAMMA MIA!

A talented young song-and-dance ensemble and some exhilarating original choreography add up to lively summer fun at Laguna Playhouse for those who don’t mind shelling out big bucks to hear a couple dozen ABBA hits performed to canned karaoke-style backing tracks.
(read more)

RAGTIME

Chance Theater reinvigorates the 1998 Broadway blockbuster Ragtime to thrilling effect, giving the musical flashback to early-20th-century America race-and-class relations fresh new 21-century relevance.
(read more)

THE WEDDING SINGER

Having recently spoofed the ’60s with Little Shop Of Horrors, Santa Monica’s Morgan-Wixson Theatre now treats audiences to the adroitly concocted blend of music, comedy, and 1980s nostalgia that is Chad Beguelin, Tim Herlihy, and Matthew Sklar’s The Wedding Singer.
(read more)

GOOD BOYS

An explicit sex tape involving a prep school jock and a young woman decidedly not his girlfriend sets off a chain of events that will forever change the lives of one entitled Washington DC family in Roberto Aguirre-Sacasa’s suspenseful, provocative Good Boys, now riveting audiences at Pasadena Playhouse.
(read more)

LOOT

Director Bart DeLorenzo and a mostly English cast get bad-boy Brit Joe Orton abso-bloomin’-lutely right in Loot, the provocative, hilarious latest from Odyssey Theatre Ensemble.
(read more)

THE PRODUCERS

Leave it to Celebration Theatre to take a musical as mammoth as The Producers and scale it down to fit the LGBTQ company’s 47-seat Hollywood digs without losing an iota of its audience appeal. Indeed, the show still officially billed as “A New Mel Brooks Musical” may be even more exciting at Celebration in 2019 than when it made its 2001 Broadway debut.
(read more)

READY STEADY YETI GO

Sixth-graders reenact a local hate crime for reasons that don’t particularly make sense in David Jacobi’s Ready Steady Yeti Go, a talent showcase for its gifted 20something ensemble that would work even better with age-appropriate casting.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »