IRVING BERLIN’S WHITE CHRISTMAS


Irving Berlin’s White Christmas is back for a second year at the Norris Center For The Performing Arts with its four fantastic leads intact, the same sensational direction and choreography, designs like those you’d expect in the best regional theater productions, and—brand new this time round—a live pit orchestra. There may be other White Christmases around town this time of year, but this is the one to see, or see again.
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THE PRODUCERS


The Norris Center For The Arts undertakes its most ambitious musical to date, a near Broadway-scale production of Mel Brooks’ multiple Tony-winning The Producers which, despite some technical elements still rough around the edges on opening night, makes for a bona fide crowd-pleaser sparked by one standout performance after another.
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SHREK THE MUSICAL


3-D Theatricals follows its phenomenal revival of Jason Robert Brown’s deep, dark, fact-based Parade with its polar opposite, the bright, breezy, and entirely fanciful Shrek The Musical, in its own way every bit as triumphant as its extraordinary predecessor.
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REAL MEN SING SHOW TUNES…AND PLAY WITH PUPPETS


Women have had their Menopause The Musical. Gay men have had their Naked Boys Singing. Now, at last, straight men have their very own R-rated musical revue—Real Men Sing Show Tunes…and play with puppets, now tickling the ribs of both male and  female theatergoers seventeen and older at the Palos Verdes-adjacent Norris Theatre.
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IRVING BERLIN’S WHITE CHRISTMAS


For many Americans, it simply wouldn’t be December without an annual viewing of the Bing Crosby/Danny Kaye holiday movie classic White Christmas, and for the past eight years, theatergoers have been able to experience this seasonal favorite live and in person in its delightful stage adaptation, retitled Irving Berlin’s White Christmas and now playing at Rolling Hills Estates’ Norris Theatre.
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SPRING AWAKENING


Steven Sater and Duncan Sheik’s Spring Awakening has awakened once again, this time as a showcase for a group of very talented, mostly college-age performers and a director whose vision has already impressed this reviewer on more than one occasion.
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BOEING-BOEING


There’ll be no louder peals of laughter in the South Bay over the next few weekends than those emanating from Rolling Hills Estates as the Norris Center For The Performing Arts presents an all-around splendid revival of Marc Camoletti’s saucy, sexy French farce Boeing-Boeing under James W. Gruessing’s sparkling direction.
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PRIVATE LIVES


Five of the best and brightest of the Hermosa Beach Playhouse’s unofficial “resident company” of stars have reunited under artistic director Stephanie A. Coltrin’s directorial baton to bring Noël Coward’s Private Lives to the South Bay Cities. Who could ask for anything more?
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