MONTY PYTHON’S SPAMALOT

You won’t be laughing nearly as hard this summer as audiences at 3-D Theatricals’ Broadway-caliber revival of Monty Python’s Spamalot, that is unless you happen to be among those SoCal theatergoers lucky enough to attend the musical’s back-to-back runs this month in Redondo Beach and Cerritos.
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OKLAHOMA!

Director T.J. Dawson takes a little-known bit of early 20th-century Oklahoma Territory history (its U.S. government-encouraged racial diversity) and reinvents the granddaddy of all contemporary musicals in 3-D Theatricals’ stunning 21-century revival of Rodgers and Hammerstein’s Oklahoma!
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THE MUSIC MAN

Palos Verdes Performing Arts scores a musical comedy bulls-eye with their big-stage, up-close-and-personal revival of Meredith Willson’s 1957 classic The Music Man, the all-around best of the half-dozen Music Men I’ve seen so far.
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YOUNG FRANKENSTEIN

Palos Verdes Performing Arts opens its 2016-17 season with its splendid big-stage production of Mel Brooks’ Young Frankenstein, a tunefuly, double entendre-packed, laugh-filled treat for Brooks fans and classic horror buffs alike.
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HELLO, DOLLY!

Dolly Levi is still glowing, still crowing, and going stronger than ever as 3-D Theatricals debuts its splendiferous 2016 revival of one of Broadway’s Golden Era greatest, the record-breaking 10-Tony-Award-winning Best Musical of 1964, Hello, Dolly!
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THE FULL MONTY

The sextet of laid-off upstate New York factory workers with plans to offer Buffalo gals a night of full-frontal fun are centerstage once more as 3-D Theatricals debuts its couldn’t-be-better revival of the 2000 Broadway hit musical The Full Monty.

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THE DROWSY CHAPERONE

The Norris Center For The Performing Arts couldn’t have picked a better musical, nor staged it more sparklingly, than their 2013-2014 3-Play Series season closer The Drowsy Chaperone, winner of 5 Tony Awards and quite possibly the most entertaining Valentine to musical theater ever.
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A MAN OF NO IMPORTANCE

The lives of couple dozen “unimportant” Dubliners are bestowed the significance they deserve in Torrance Theatre Company’s beautifully performed intimate-stage production of Terrence McNally, Lynn Aherns, and Stephen Flaherty’s 2002 off-Broadway musical A Man Of No Importance.
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