ALL MY SONS

RECOMMENDED
It takes guts for a community theater to challenge audiences accustomed to light comedic fare with a drama as stark as Arthur Miller’s All My Sons. Heck, it takes guts for any theater company to stage what may well be the greatest play of the 20th Century and do it justice.
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BORN YESTERDAY


Folks had best not try to pull the wool over Billie Dawn’s eyes or they’ll soon discover she wasn’t Born Yesterday—or at least that’s what some Washington D.C. politicos find out the hard way in Born Yesterday, Garson Kanin’s Broadway classic and a terrific season opener for Claremont’s Inland Valley Repertory Theatre.
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THE SOUND OF MUSIC

RECOMMENDED
Candlelight Dinner Theater continues its 2013 season with the Rodgers And Hammerstein classic The Sound Of Music, giving audiences in search of wholesome family entertainment an entertaining production blessed by the best Maria von Trapp this side of Julie Andrews.
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DRIVING MISS DAISY


Sierra Madre Playhouse follows last year’s superb, Scenie-winning Incident At Vichy with a beautifully acted, directed, and designed production of Driving Miss Daisy, Alfred Uhry’s award-winning one-acter about an elderly Southern Jewish widow and the African-American driver foisted upon her by her adult son in the years just preceding the Civil Rights Movement.
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I LEFT MY HEART: A Salute To The Music Of Tony Bennett


“I Wanna Be Around,” “Rags To Riches,” “Stranger In Paradise,” “The Good Life,” “The Shadow Of Your Smile,” “Where Do I Begin,” and of course “I Left My Heart In San Francisco.” Hear this list of song titles and there’s only one name likely to pop into any music lover’s head—Tony Bennett, a star since his very first Number One record, “Because Of You,” topped the charts way back in 1951 and still going strong at age 86, with seven concert dates coming up in the next month alone.
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A CHRISTMAS TO REMEMBER

RECOMMENDED
Candlelight Pavilion Dinner Theatre celebrates the holidays with a delightfully performed original musical certain to appeal to children and their grandparents (though perhaps not quite as much to those in-between).
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ANYTHING GOES


Way back in Broadway’s pre-Oklahoma! days, pretty much all that was required to create a hit musical was a a dozen or so songs (preferably by Cole Porter, Irving Berlin, George & Ira Gershwin, or Rodgers & Hart) and some lively dance numbers (the kind that Busby Berkeley was creating both in New York and in Hollywood). As for plot, three-dimensional characters, or any trace of the dramatic, well who needed those so long as a show’s zany characters made you laugh?
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MISS SAIGON


Having now seen a grand total of seven major productions of Miss Saigon, I’m going to go out on a limb and say: If Candlelight Pavilion Dinner Theatre’s reimagining of the 1991-2001 Broadway megasmash isn’t the very best of the bunch (which it may well be), it is certainly the freshest, grittiest, and most original staging I’ve seen since first experiencing Miss Saigon’s First National Tour at the Ahmanson way back in 1995.
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