GREASE

A number of imaginative directorial touches and a fresh young cast of up-and-coming triple-threats make Inland Valley Repertory Theatre’s midweek revival of Grease at Candlelight Dinner Theatre worth a drive out to Claremont even if you’ve seen the musical or its smash movie adaptation umpteen times before.
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BUDDY – THE BUDDY HOLLY STORY

February 3, 1959 may well have been, as Don McLean sang it, “the day the music died,” but the music of Buddy Holly lives on at Candlelight Pavilion Dinner Theater in the crowd-pleasing musical/tribute concert hybrid that is Buddy – The Buddy Holly Story.
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JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

The international phenomenon Joseph And The Amazing Technicolor Dreamcoat serves as a terrific vehicle for a talented young cast and an equally terrific showcase for director Jeff Lowe, choreographer Jenny Moon Shaw, and musical director Sarah Weinzetl at the Covina Center For The Performing Arts.
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A SPIDER-MAN CHRISTMAS: A SATIRE

RECOMMENDED

Spider-Man meets It’s A Wonderful Life (with a bit of Charles Dickens’ A Christmas Carol thrown in for good holiday measure) in Cameron Parker’s A Spider-Man Christmas: A Satire, and if this latest from Mosaic Lizard Theater is a bit rough around the edges and not all performances up to those of its more highly-trained and experienced cast members, it does one thing to perfection. It keeps its audiences in stitches throughout. (Make that red-blue-&-black stitches, to match Spidey’s superhero garb.)
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IT’S CHRISTMAS EVERY DAY

Christmas wouldn’t be Christmas in Claremont without Candlelight Pavilion Dinner Theatre’s annual all-new Christmas musical, and as in Christmas seasons past, this year’s It’s Christmas Every Day makes for two hours of song-and-dance-filled G-rated Christmas entertainment.
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JEKYLL & HYDE

Some of the finest voices I’ve heard at Candlelight Pavilion Dinner Theatre along with Jason James’ assured direction make for a first-rate Jekyll & Hyde out Claremont way, with Janet Renslow’s exciting recreation of the show’s original choreography adding to the pizzazz.
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4000 MILES

Anyone longing to see an intergenerational relationship depicted in all its potential richness, a family drama that grips without resorting to soap opera melodramatics, and an elderly character not made the butt of the joke need drive a mere six minutes east of Pasadena’s A Noise Within where the Sierra Madre Playhouse is presenting its absolutely splendid Los Angeles Premiere production of Amy Herzog’s Obie-winning dramedy—and 2013 Pulitzer Prize finalist—4000 Miles.
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MONTY PYTHON’S SPAMALOT

Rare is the musical that can delight and satisfy both Broadway buffs and those who would never be caught dead at My Fair Lady, The Sound Of Music, or heaven forbid, Sweeney Todd: The Demon Barber of Fleet Street. Monty Python’s Spamalot is that rare Broadway show, and therefore a supremely savvy follow-up to Candlelight Pavilion Dinner Theatre’s recent Smokey Joe’s Café. That it happens to be served up in an all-around splendid production is like whipped cream on one of Executive Chef Juan Alvarado’s scrumptious desserts.
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