BRIGHT STAR

Some of the most gorgeous songs I’ve heard in a new musical plus a bevy of equally memorable performances bode well for the post-World Premiere future of Steve Martin and Edie Brickell’s Bright Star despite an “original story” so reminiscent of this or that 1930s/40s Hollywood weeper that audience members may find themselves convinced they’re watching the musical stage adaptation of an oldtime Barbara Stanwyck/Claudette Colbert flick. (Not that there’s anything wrong with that.)
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CATCH ME IF YOU CAN

Moonlight Stages closes its Summer 2014 season with the Southern California Regional Premiere of Catch Me If You Can, and if the musical adaptation of Steven Spielberg’s popular 2002 biopic “underperformed” during its less than half-a-year on Broadway, you’d be hard-pressed to figure out why it wasn’t a humungous smash from the sensational goings-on down in Vista under the inspired direction of Larry Raben.
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REGRETS ONLY

It’s a measure of how much times have changed over the less than eight years since Paul Rudnick’s Regrets Only debuted off-Broadway that Rudnick’s contemporary comedy has already become what some critics might call “dated” … and it’s a measure of Rudnick’s comedic mastery that this matters not a whit, not with characters as wedding-cake delectable as those now onstage at San Diego’s Diversionary Theatre, and certainly not in a production as pitch-perfect as the one Jessica John has directed for America’s third-oldest continuously-producing LGBT theater.
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OKLAHOMA!

Director-choreographer Dan Mojica and an exciting young cast offer Welk Theatre San Diego audiences an Oklahoma! certain to delight both blue-haired Welk regulars and the Glee generation of its late teens-early 20s ensemble, sixteen talented performers who enrich the Rodgers & Hammerstein classic with a freshness and life belying its 71 years of age.
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MY FAIR LADY

Moonlight Stage Productions revives the Lerner & Lowe classic My Fair Lady for a 21st-century audience with the one element that’s been mostly missing since its 1956 Broadway debut—sex appeal—and the result is a My Fair Lady that is not only every bit as captivating as the best of the past century, its Henry Higgins and Eliza Doolittle could give the hottest Hollywood romcom stars a run for their money any day.
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INTO THE WOODS

Fiasco Theatre Company’s re-imagined revival of Stephen Sondheim and James Lapine’s Into The Woods is the most thrillingly imaginative production I’ve seen of the 1987 triple-Tony-winner, and trust me … I’ve seen a forest-ful of Into The Woodses, fourteen in all since the First National Tour stopped at the Ahmanson in 1989.
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MARY POPPINS

Moonlight Stages in San Diego-adjacent Vista once again trumps L.A. and Orange Counties by offering Southland audiences the much-awaited First Regional Production of a Big Broadway Smash, this time a terrifically staged and performed Big-Stage, Big-Cast, Big-Orchestra Disney’s And Cameron Mackintosh’s Mary Poppins.
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bare: a pop opera

Damon Intrabartolo and Jon Hartmere’s bare: a pop opera at long last gets its San Diego Premiere—and an absolutely superb one at Diversionary Theater—fourteen years after it first impacted Los Angeles theatergoers with its devastatingly powerful take on two Catholic High School boys in love.
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