CITY OF ANGELS
Saturday, September 12th, 2009RECOMMENDED
For a theater company to have been in continuous operation for a record eighty-eight years, it must be doing something right. Whittier Community Theatre certainly is, and their latest production, City Of Angels, the Tony-winning Best Musical of 1989, is a perfect example of why WCT is the oldest non-profit amateur theater west of the Mississippi.
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THE GOLDEN GAYS
Thursday, September 10th, 2009RECOMMENDED
John Patrick Trapper’s The Golden Gays has just opened at Casita Del Campo in Silverlake, and though this men-in-drag Golden Girls spoof runs about half an hour too long (and would do better with a stronger focus on the “girls” themselves), it provides laugh after unsophisticated laugh and is a likely crowd pleaser.
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GROSS INDECENCY
Friday, September 4th, 2009RECOMMENDED
When contemporary theatergoers hear the name Oscar Wilde, probably the first thing that pops into most of their heads is Wilde’s oft-performed classic comedy The Importance Of Being Earnest, or perhaps one of his many famous sayings. (“Always forgive your enemies; nothing annoys them so much.” “Anyone who lives within their means suffers from a lack of imagination.” “One should always play fairly when one has the winning cards.”) The Oscar we meet in Moisés Kaufman’s Gross Indecency (subtitled The Three Trials Of Oscar Wilde) is quite a different one.
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SCHOOL FOR SUCKERS
Tuesday, August 25th, 2009RECOMMENDED
A quintet of 20something USC grads recall their journeys from childhood to adulthood in School For Suckers, an enjoyable program of five self-penned solo performances now playing mid-week at the Lillian.
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BREAKING AND ENTERING
Wednesday, August 19th, 2009RECOMMENDED
A legendary one-hit-wonder novelist receives an unwelcome late night visit from his “biggest fan” in Colin Mitchell’s Breaking And Entering, a very dark comedy now in its world premiere production at Beverly Hills’ Theatre 40 under the able direction of Mark L. Taylor.
40 IS THE NEW 15
Wednesday, August 5th, 2009RECOMMENDED
Five former high school classmates turning 40 reflect on the ways their lives have changed over the past quarter century in 40 Is The New 15, a new musical by Larry Todd Johnson and Cindy O’Connor. Though “workshop” would be a more appropriate description of this not quite fully-staged production, tuneful, clever songs, an engrossing storyline, and a quintet of fine performances make this an entertaining, moving, and very promising evening of musical theater.
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STOP KISS
Monday, August 3rd, 2009RECOMMENDED
The recent rash of gay bashings throughout the U.S. makes Rogue Machine’s Los Angeles premiere of Diana Son’s GLAAD Award-winning Stop Kiss timely indeed. Though its movie screenplay-like structure presents staging challenges not always overcome by directors Elina de Santos and Matthew Elkins, a provocative storyline and excellent performances make the production a largely engrossing experience.
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DOG SEES GOD
Sunday, July 26th, 2009RECOMMENDED
Bert V. Royal’s Dog Sees God: Confessions of a Teenage Blockhead imagines the lives of a group of high schoolers suspiciously similar to teenage versions of Charlie Brown and the rest of the Peanuts gang. Though legal considerations require a “has not been authorized or approved in any manner by the Charles M. Schultz Estate” disclaimer, fans of the comic strip will recognize CB (whose pet beagle has just been put down for rabies, though not before tearing to shreds “a little yellow bird who used to hang around”), Beethoven (a sensitive i.e. gay piano prodigy), Tricia (née Patricia formerly Patty, of the Peppermint variety) and her best friend Marcy (who used to spell her name with an –ie), Matt (a once dirt-cloud-plagued kid turned tough guy germo-homophobe), and Van (a stoner currently mourning the death-by-fire of his beloved blanket). CB’s sister and Van’s (neither of whom are referred to by name) complete the gang.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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