ONCE UPON A MATTRESS


A supercharged lead performance by triple-threat extraordinaire Sutton Foster and Amy Sherman-Paladino’s freshly adapted book are just two reasons to celebrate the December arrival at the Ahmanson of Once Upon A Mattress direct from its Broadway run.
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CLYDE’S


Four sandwich-making ex-cons strive to forge new lives for themselves in Lynn Nottage’s hilarious, hard-hitting Clyde’s, now playing at the Mark Taper Forum direct from its recent run at Chicago’s Goodman Theater.
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FREESTYLE LOVE SUPREME


Rap meets improv meets R&B meets live theater at its most magical in the Tony-winning Freestyle Love Supreme, the most entertainingly original audience-participatory show you’ll see all summer.
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SLAVE PLAY


A trio of interracial couples let it all hang out in group therapy as Center Theatre Group presents the Broadway production of Jeremy O. Harris’s daringly provocative, deliberately discomforting, and frequently damn funny Slave Play.
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EVERYBODY’S TALKING ABOUT JAMIE


Everybody’s Talking About Jamie, the feel-fabulous West End musical hit, has arrived in Los Angeles, an across-the-pond stop in its 2022 UK tour that’s worthy of an all-out L.A. celebration.
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LINDA VISTA

Tracy Letts could just as easily have called his latest play Train Wreck, so hot a mess is its 50-year-old protagonist that much of the pleasure of Letts’ relentlessly funny, defiantly unsentimental Linda Vista (a Steppenwolf visitor to the Mark Taper Forum) is watching its antihero (emphasis on the anti) get what he so richly deserves.
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SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY

Regina George has met her Ghanaian match in Jocelyn Bioh’s side-splittingly funny, acerbically perceptive, unexpectedly touching School Girls; or, The African Mean Girls Play, imported to the Kirk Douglas Theatre from its hit off-Broadway run with most of its original MCC Theater cast intact.
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AIN’T TOO PROUD

The Motown sound is ready once again to take New York by storm when Ain’t Too Proud—The Life and Times of The Temptations, now earning some of the loudest Ahmanson Theatre audience cheers I’ve heard in years, transfers to Broadway’s Imperial this spring.
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