SALVAGE


The pre-pandemic hit Salvage is back, a couple of terrific cast additions adding even more grit and depth to its already compelling mix of haunted memories and haunting country-flavored songs.
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ALICE IN WONDERLAND

A Noise Within makes theatrical magic for audiences of all ages in their absolutely captivating revival of Eva Le Gallienne and Florida Friebus’s 1933 Broadway adaptation of Lewis Carroll’s Alice In Wonderland.
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BAD HABITS

A nonagenarian TV legend spars with a quintet of salty-tongued singing nuns in Steve Mazur’s comedic crowd-pleaser Bad Habits, a holiday hit for Santa Monica’s Ruskin Group Theatre held over to start 2020 with a bang.
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SALVAGE

A chance visit to a run-down, out-of-the-way bar stirs up memories long-ago friendships, unfulfilled dreams, unforgotten grudges, and a woman named Jennifer in Tim Alderson’s Salvage, a World Premiere “play with music” which requires buying into more than one coincidence but offers multiple rewards, not the least of which is getting to hear some of the most haunting, gorgeously sung country music in town.
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ORRY

Legendary Hollywood costume designer Orry-Kelly lives again (at his own funeral, no less) in Nick Hardcastle’s entertaining, informative Orry, now playing a limited engagement at West Hollywood’s Lee Strasberg Theatre.
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AMERICAN MARIACHI

I dare you not to fall for South Coast Repertory’s American Mariachi, the crowd-pleasingest season opener any major American regional theater could wish for.
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INDECENT

A gut-punching, all-too relevant look at Antisemitism, censorship, homophobia, anti-immigration hysteria, the Holocaust, and McCarthyism during the first half of the 20th Century, Paula Vogel’s Indecent is also a thought-provoking demonstration of the power of live theater to both inspire and inflame, and for Los Angeles theatergoers, a chance to see the production that scored director Rebecca Taichman a Tony win two years ago.
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POOR YELLA REDNECKS

Vietgone’s Quang and Tong are back at South Coast Repertory and facing their not quite happily ever after in Qui Nguyen’s laugh-and-rap-packed World Premiere comedy Poor Yella Rednecks.
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