AMADEUS


Tony Award winner Jefferson Mays and West End/Bridgerton breakout star Sam Clemmett burn up the stage in what may well be the most sumptuous production in Pasadena Playhouse history in Darko Tresnjak’s stunning take on Peter Shaffer’s Amadeus.
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A CHRISTMAS CAROL


A production design that just keeps getting more gorgeous, staging that gets more and more inventive year after year, new songs and harmonies to make it seem almost a musical, and cast additions that only add to the magic… For these reasons and more, there’s no A Christmas Carol in town that comes close to matching A Noise Within’s one-of-a-kind take on the Charles Dickens classic.
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STEREOPHONIC


If you’ve ever wondered what it would have been like to be a fly on the wall when Fleetwood Mac spent seven tumultuous months recording Rumours, the next best thing to your wish has come true in David Adjmi’s multiple-Tony winning play à clef Stereophonic.
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MASTER CLASS


Musical theater star Joan Almedilla delivers a tour-de-force performance as opera legend Maria Callas without even singing a note in Terrence McNally’s Master Class at Sierra Madre Playhouse.
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AMERICAN MARIACHI


A half-dozen years after its Old Globe world premiere, José Cruz González’s American Mariachi makes an endlessly entertaining Latino Theater Co. L.A. debut under under José Luis Valenzuela’s incisive direction at the Los Angeles Theatre Center.
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ANIMAL FARM


A superlative cast, inspired direction, and designs that are the epitome of imaginative top the list of reasons not to miss Peter Hall’s musical adaptation of George Orwell’s Animal Farm at A Noise Within.
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TAMBO & BONES

Dave Harris’s Tambo & Bones, a Center Theatre Group World Premiere, takes black anger against white America to such extremes that sitting through ninety minutes of it had me wishing I were anyone other than inside the Kirk Douglas Theatre. And it didn’t help that at least forty-five of its ninety minutes are devoted to ear-splitting, N-word/expletive-filled rap.
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MASAO AND THE BRONZE NIGHTINGALE

Playwrights Dan Kwong and Ruben Funkahuatl Guevara have quite a tale to tell about post-WWII Little Tokyo and Boyle Heights in Masao And The Bronze Nightingale and an ethnically, culturally, linguistically diverse cast of characters to tell it with, but the World Premiere play-with-songs’ hefty three-hour running time begs the question, how much of a good thing is too much?
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