THE GREAT LEAP
Monday, November 11th, 2019Two of L.A.’s premier regional theaters join forces to give Lauren Yee’s The Great Leap as unforgettable a production as Pasadena Playhouse and East West Players have presented in years.
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DIAL “M” FOR MURDER
Saturday, November 2nd, 2019You’ll be dining at the crime scene as you savor the latest tasty delight from The 413 Project, Frederick Knott’s classic mystery-suspense thriller Dial “M” For Murder at Pasadena’s Madeline Garden.
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GEM OF THE OCEAN
Saturday, October 5th, 2019There is much to rave about in A Noise Within’s big-stage revival of August Wilson’s Gem Of The Ocean, not however its nearly three-hour running time and one particularly over-the-top performance.
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A KID LIKE JAKE
Friday, October 4th, 2019What would you do if your four-year-old son’s love for all things Cinderella represented not just an affection for the fairytale heroine but something considerably more profound? This is the dilemma facing a 30something husband and wife in Daniel Pearle’s engrossing family dramedy A Kid Like Jake, a hot-button-issue IAMA Theatre Company West Coast Premiere.
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LITTLE SHOP OF HORRORS
Thursday, September 26th, 2019Iconic roles reinvented by a supremely stellar cast and a production design that’s nothing short of original make Pasadena Playhouse’s powerhouse Little Shop Of Horrors unlike any Little Shop you’ve ever seen.
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FRANKENSTEIN
Sunday, August 18th, 2019Playwright Nick Dear humanizes the monster commonly if incorrectly known as Frankenstein in his 2011 stage adaptation of the Mary Shelley classic, an A Noise Within season opener as compelling as it is unexpectedly poignant.
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GOOD BOYS
Monday, July 1st, 2019An explicit sex tape involving a prep school jock and a young woman decidedly not his girlfriend sets off a chain of events that will forever change the lives of one entitled Washington DC family in Roberto Aguirre-Sacasa’s suspenseful, provocative Good Boys, now riveting audiences at Pasadena Playhouse.
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LADIES
Friday, June 14th, 2019An all-female creative team join forces to bring a quartet of mid-18th-century pre-feminist Englishwomen to sporadically intriguing but too often meandering 21st-century life in Kit Steinkellner’s Ladies, a Boston Court Pasadena World Premiere.
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