ORSON’S SHADOW


The year is 1960. The place is Dublin, Ireland, more specifically the Gaiety Theatre,
where renowned film critic Kenneth Tynan has just arrived on a mission. He plans
to ask Orson Welles of Citizen Kane fame to direct “the greatest actor in the
English language” in a production of Eugene Ionesco’s Rhinoceros. The actor in
question is, of course Lawrence Olivier, fresh from his stage and screen triumph in
The Entertainer. There is one hitch to Tynan’s plan, however, and that is Welles’
belief that “Olivier destroyed me in Hollywood in 1948.”
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RAY CHARLES LIVE


Combining the appeal of the Oscar-winning hit film Ray with the dynamic live
theater format of Jersey Boys, the Pasadena Playhouse has a surefire hit on its
hands with Ray Charles Live!, written by Suzan-Lori Parks, directed by Sheldon
Epps, and featuring over two dozen hits made famous by the man of soul himself.
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CANNED PEACHES IN SYRUP


Seeing a show at the Furious Theatre in Pasadena is a virtual guarantee of a 
brilliantly acted and staged production. Dámaso Rodriguez and his furiously 
fearless band of thespians invariably pick edgy and topical pieces of writing 
which they bring to vivid life upstairs at the Pasadena Playhouse, and Canned 
Peaches in Syrup is no exception.  Set in the not so distant future, in a world 
where food and water are so scarce that half the remaining inhabitants of our 
planet have turned to cannibalism to survive, Canned Peaches is, as they say, 
as topical as today’s headlines. It’s also an outrageously funny comedy, and a 
love story a la Romeo and Juliet to boot.
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MATTER OF HONOR


Near the beginning of Michael J. Chepiga’s Matter of Honor, the audience at
the Pasadena Playhouse is plunged into darkness. We hear a loud noise, like a
powerful echoing drumbeat, then a series of cries. A beating is taking place. We
know from that moment that we are in for a theatrical experience very much
out of ordinary.
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