THE CHILDREN
Wednesday, May 16th, 2012
When Susan Smith confessed to having drowned her two small children back in 1994, it was hard not to draw parallels between this murderous mom of today and that lethal lady of mythology known as Medea. Though their motives were different (Susan wanted to get rid of her kids, the better to fool around with a man who didn’t want a “ready-made” family; Medea killed hers to punish her husband for an adulterous affair), the results were tragically the same.
Perhaps inspired by this tale as old as Greek tragedy and as recent as today’s headlines, playwright Michael Elyanow has written an extraordinary (if a tad too intricate) new play, The Children, which Theatre @ Boston Court is now World Premiering under the inspired direction of Jessica Kubzanky.
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THE HEIRESS
Monday, April 30th, 2012
The Heiress may have reached the ripe old age of sixty-five, but you’d hardly know it from the latest revival of Ruth and Augustus Goetz’s 1947 Broadway hit, adapted from Henry James’ classic novel Washington Square and currently engrossing and delighting audiences in equal measure at the Pasadena Playhouse.
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THE BUNGLER
Monday, April 9th, 2012
When you hear the name Moliere, it’s likely that The Bungler, one of the 17th Century playwright’s earliest comedies, will not make the list of titles coming to mind. Still, if A Noise Within’s production of this little-known gem is any indication, The Bungler (aka L’Etourdi) is one of the French master’s funniest confections—or so it would seem as conceived by director Julia Rodriguez-Elliott.anselm
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ANTONY AND CLEOPATRA
Monday, March 5th, 2012NOT RECOMMENDED
Antony and Cleopatra. For anyone around in the 1960s, those two names can’t help but conjure up memories of Richard Burton and Elizabeth Taylor, whose scandalous real-life love story mirrored that of the legendary historical couple they were playing on screen.
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ART
Thursday, February 2nd, 2012
There’s nothing like star quality to turn yet another revival of an oft-produced play into an event—not celebrity stunt casting, but rather that combination of talent, individuality, and charisma that true stars bring to whatever project they undertake.
Such is the case with the Pasadena Playhouse’s fabulous all-star revival of Yasmina Reza’s Art, the French playwright’s Tony-winning Best Play of 1998.
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AMAHL AND THE NIGHT VISITORS
Saturday, December 10th, 2011
Amahl And The Night Visitors’ return to the Pasadena Playhouse stage for one weekend only is red-letter news indeed, for opera fans and newbies alike regardless of age. Once again impeccably directed by Stephanie Vlahos and performed by a stellar cast headed by Suzanna Guzman and Caleb Glickman, the Gian Carlo Menotti one-act is a one-of-a-kind holiday treasure.
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DESIRE UNDER THE ELMS
Saturday, December 3rd, 2011
A beautiful young woman marries an elderly widower only to find herself irresistibly attracted to his twenty-five-year-old son, with whom she begins a torrid affair behind her septuagenarian hubby’s back. Wishing to insure that the old man’s property remains tied to wife rather than son, the ingenious beauty connives to conceive a child with her lover and pass it off as her aged spouse’s. Murder ensues.
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BLUES FOR AN ALABAMA SKY
Thursday, November 10th, 2011
That thrilling period in African American history known as the Harlem Renaissance has only recently been cut short by the onset of the Great Depression when first we meet the fascinating characters created by Pearl Cleage in Blues For An Alabama Sky, the Atlanta-based playwright’s meaty period drama which Sheldon Epps has brought to the Pasadena Playhouse in a richly exciting production under his own inspired direction.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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