DISNEY’S BEAUTY AND THE BEAST
Thursday, October 24th, 2019Leave it to Cal State Fullerton’s musical-theater majors to give audiences a Disney’s Beauty And The Beast that tops just about every professional production I’ve seen, and I’ve seen a bunch.
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THE CANADIANS
Monday, October 14th, 2019A couple of small-town 20something BFFs embark on the gay cruise of a lifetime courtesy of South Coast Repertory in Adam Bock’s hilarious–and unexpectedly touching–World Premiere romantic comedy The Canadians.
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MISS SAIGON
Thursday, October 3rd, 2019Miss Saigon’s epic blend of war, romance, and show-stopping production numbers has rarely if ever been brought to more dazzling, breathtaking life than in its Tony-nominated 2017 Broadway revival’s First National Tour, now mesmerizing and moving audiences in equal measure at the Segerstrom Center For The Arts.
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THE VANDAL
Saturday, September 28th, 2019A teenager chats up a woman old enough to be his mother (but just barely) at a freezing cold hospital-and-cemetery-adjacent Kingston, NY bus stop and then …
It’s the “and then” that makes Hamish Linklater’s The Vandal a quirkily comedic, profoundly moving 80-minute wonder in its Chance Theater West Coast Premiere.
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AMERICAN MARIACHI
Monday, September 16th, 2019I dare you not to fall for South Coast Repertory’s American Mariachi, the crowd-pleasingest season opener any major American regional theater could wish for.
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STRONG ARM
Tuesday, July 16th, 2019Taking as his inspiration Anton Chekhov’s The Seagull, playwright Wyn Moreno has created a contemporary dysfunctional family dramedy that stands tall on its own merits in Strong Arm, the World Premiere latest from Orange County’s The Wayward Artist.
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MAMMA MIA!
Monday, July 8th, 2019A talented young song-and-dance ensemble and some exhilarating original choreography add up to lively summer fun at Laguna Playhouse for those who don’t mind shelling out big bucks to hear a couple dozen ABBA hits performed to canned karaoke-style backing tracks.
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RAGTIME
Monday, July 8th, 2019Chance Theater reinvigorates the 1998 Broadway blockbuster Ragtime to thrilling effect, giving the musical flashback to early-20th-century America race-and-class relations fresh new 21-century relevance.
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