[title of show]


Santa Ana’s Theatre Out opens what looks to be its most exciting season to date with the Tony-nominated [title of show], a four-performer musical every bit as unique as its title, and one which offers OC audiences a combination of non-stop hilarity, bouncy songs with some inspired lyrics, and a quartet of delightful performances under the imaginative direction of three-time Scenie winner Tito Ortiz (who also choreographs this time round).
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THE ADDAMS FAMILY


Talk about The Addams Family and the oldest among us will recall the darkly humorous single-panel cartoons that appeared in the New Yorker from 1938 on. Boomers will instantly flash back to the black-and-white mid-1960s sitcom of the same name, and their children will remember either the ‘73 or ‘92 animated Addams Family series, or the ’91 film adaptation (or either of its two sequels). And that’s not counting The New Addams Family (the late ‘90s remake of the original TV series) or an Addams family video game and even an Addams family pinball machine.

Still, it wasn’t until two years ago that Gomez, Morticia, Uncle Fester, Lurch, Grandma, Wednesday, Pugsley, and Cousin It made their Broadway debut in the 725-performance The Addams Family, and it is that Drama Desk and Drama League Award-winning musical that has arrived at Costa Mesa’s Segerstrom Center For The Arts in its hilarious, crowd-pleasingly revised First National Tour.
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CAROUSEL


Rodgers and Hammerstein may have had their first (and longest-running) Broadway smash with Oklahoma! The Sound Of Music may well be their best-loved hit, thanks in large measure to the big-screen Julie Andrews movie classic. South Pacific and The King And I may each have their passionate fans, among which this reviewer counts himself. Be that as it may, in my humble opinion, none of the above quite match the overall brilliance and innovation of the extraordinary Carousel, R&H’s second Broadway hit.

It is this 1945 Rodgers and Hammerstein classic that the enormously talented students o“Ballet.” Cal State Fullerton’s illustrious Musical Theatre BFA program now bring back to powerful, gorgeous life for 21st Century audiences.
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THE EIGHT: REINDEER MONOLOGUES


Chance Theater resident artist Casey Long could hardly have imagined back in 2004 that eight Christmases later he’d be performing in the Ninth Annual Chance production of The Eight: Reindeer Monologues. Yet, miracle of miracles, Casey and the rest of The Eight (reindeer that is) continue shocking and delighting Orange County audiences with year after year of raunchy, R-rated yuletide cheer, written by Jeff Goode (author of the equally adult-themed Poona The Fuckdog And Other Plays For Children).
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LITTLE WOMEN THE BROADWAY MUSICAL


Little Women The Broadway Musical returns to the Chance Theater for the first time since its maiden holiday engagement in 2009, and to paraphrase an Oscar-nominated song, the Chance hit proves even more wonderful the second time around.
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MEMPHIS


December 1, 1955: Rosa Parks refuses to give up her seat to a white passenger on a Montgomery, Alabama bus. November 6, 2012: Barack Obama is reelected to the Presidency of the United States. What a difference 57 years make!

November 6, 2012 happens also to have been the Opening Night of the National Tour of Memphis, the Tony-winning Best Musical set in the same decade Rosa Parks made her historic stand for racial equality, a serendipitous coincidence given that Memphis is the fictional but fact-inspired tale of Huey Calhoun, a Memphis DJ who made history in his own way by daring to play “race music” on mainstream, i.e. white radio. That particularly groundbreaking step, and Calhoun’s then illegal romance with a young singer he meets on his first visit to a “colored” nightclub, are at the heart of one of the most powerful—and most tuneful and exuberant—musicals Broadway has seen in many a year.
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THE ROCKY HORROR SHOW


What would the Halloween season be without the camp classic Richard O’Brien’s The Rocky Horror Show, the science fiction/horror movie spoof that has become so iconic, it now includes its creator’s name in its official title?
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HOW TO WRITE A NEW BOOK FOR THE BIBLE


I wonder if any son has ever paid greater tribute to his mother than Bill Cain does in How To Write A New Book For The Bible, his extraordinary new play about her death—and her life, told extraordinarily well in its Southern California Premiere at South Coast Repertory.
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