4000 MILES


When was the last time you saw a comedy in which an elderly female character wasn’t made the butt of the joke? When was the last time you saw an intergenerational relationship depicted in all its potential richness? When was the last time you saw a family drama that managed to grip you without resorting to soap opera melodramatics?
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PRISCILLA, QUEEN OF THE DESERT


The rainbow-colored bus known around the world as Priscilla, Queen Of The Desert has just pulled into the Costa Mesa station (make that Costa Mesa’s Segerstrom Center For The Arts), and as anyone who’s seen Stephen Elliott’s 1994 cult hit movie of the same name can tell you, that’s just about the most fabulous news any OC resident or neighbor to the north could possibly ask for this week.
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XANADU


Xanadu has arrived at Cal State Fullerton’s Little Theater, proving once again that for big-stage professional-caliber musical theater, just about the only thing separating CSUF productions from those at Musical Theatre West or 3-D Theatricals is the uniformly young age of their talented casts. Case in point: Douglas Carter Beane’s 2005 Broadway treat.
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FAST COMPANY


The Rag, the Spanish Prisoner, the Pig-in-a-Poke, the Badger Game, and the Glim Dropper are just five of the games that H, Blue, and Francis learned at their mother Mable’s knee—which will give you an idea of just what kind of family the three siblings grew up in in Carla Ching’s exhilarating World Premiere comedy Fast Company, the latest from South Coast Repertory.
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LEGALLY BLONDE


3-D Theatricals gets everything right in its end-of-season staging of Legally Blonde The Musical. With director David F.M. Vaughn assuredly in charge, this is the very best production I’ve seen of one of Broadway’s best-crafted hits of the past ten years.
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TIME STANDS STILL


A wounded photo-journalist’s return home from the war zone proves even more challenging than a life lived on the edge in Donald Margulies’ intelligent, perceptive, often funny, always compelling Time Stands Still, now getting a superb Orange County Premiere at Anaheim’s Chance Theater with crackerjack director Marya Mazor assuredly at the helm.
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ANYTHING GOES


No 1930s musical has achieved the enduring popularity of Cole Porter’s Anything Goes. A grand total of five Broadway, off-Broadway, and West End revivals, a pair of movie adaptations, a TV special, and more national and international productions than even the most dedicated Porter aficionado could possibly count.

For those who wonder why Anything Goes just keeps on ticking, there’s no more compelling evidence than the National Tour of its 2011 Broadway revival now spending the week at Costa Mesa’s Segerstrom Center For The Arts, a Broadway tour that guarantees SoCal audiences one show-stopping number after another in an Anything Goes that tops any other production of it you might happen to have seen.
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DEATH OF A SALESMAN


What better way for South Coast Repertory to open its 50th Anniversary season than with what many consider the finest play of the 20th Century, Arthur Miller’s Pulitzer Prize-winning Death Of A Salesman, and to do so with a twist—by casting the Lomans as an African-American family.
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