DORIAN’S DESCENT
Saturday, May 31st, 2014NOT RECOMMENDED
A quartet of stellar performers, a gifted composer/musical director, and L.A.’s costume designer du jour at his most over-the-top fabulous can’t, unfortunately, save the Oscar Wilde-based World Premiere musical Dorian’s Descent from descending into three hours’ worth of clichéd dialog and lyrics, jarring tonal shifts, and good intentions gone disastrously bad.
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THE GONDOLIERS
Saturday, May 24th, 2014NOT RECOMMENDED
Gorgeous voices fill the stage at the Sierra Madre Playhouse but that’s about all there is to recommend in Alison Eliel-Kalmus’s adaptation of Gilbert & Sullivan’s The Gondoliers. Though G&S fans may find the production more interest-piquing than this reviewer did, SMP’s follow-up to 2012’s Ruddigore could benefit from a tighter directorial hand, less “director’s concept,” and a stricter adherence to the operetta’s original book.
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DOCTOR ANONYMOUS
Tuesday, April 1st, 2014NOT RECOMMENDED
The gay liberation movement may have started in earnest with the 1969 Stonewall riots, but homosexuality was still deemed a “curable” mental illness by the American Psychiatric Association in 1972 when a masked Dr. John E. Fryer addressed the annual APA conference as “Dr. H. Anonymous,” beginning his speech with the simple words “I am a homosexual. I am a psychiatrist.”
A year later homosexuality was removed from the Diagnostic and Statistical Manual of Mental Disorders.
Inspired by Fryer’s speech, psychiatrist/playwright Guy Fredrick Glass has written Doctor Anonymous, now getting its World Premiere at the Zephyr Theatre, and though several of its actors rise above the material, neither their performances nor a topnotch production design can mask Doctor Anonymous’s many serious flaws.
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THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS AND COUNT LEO TOLSTOY: DISCORD
Saturday, February 1st, 2014NOT RECOMMENDED
Three superb performances, a snazzy design package, a delightful opening sequence, and then a whole lot of speechifying add up to a less than compelling ninety minutes as the NoHo Arts Center presents the World Premiere engagement of Scott Carter’s The Gospel According To Thomas Jefferson, Charles Dickens And Count Leo Tolstoy: Discord.
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HERSHEY FELDER IN ABE LINCOLN’S PIANO
Friday, January 10th, 2014NOT RECOMMENDED
Hershey Felder is back at the Geffen with his latest one-man show, Hershey Felder In Abe Lincoln’s Piano, and though Felder does treat the audience to a bit of Gershwin’s Rhapsody In Blue, unlike the smash hit Hershey Felder As George Gershwin Alone, the maestro’s latest may prove a hard sell to all but Felder fanatics.
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ENDGAME
Monday, October 28th, 2013NOT RECOMMENDED
There are plays that grab you from their opening moments and keep you on the edge of your seat throughout. And then there’s Endgame, the latest from A Noise Within.
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PROMETHEUS BOUND
Thursday, September 5th, 2013NOT RECOMMENDED
There are a number of reasons to spend a September evening out in Pacific Palisades where the Getty Villa* is presenting its annual classic theater offering, the least of which is the play itself, for despite intense, committed performances, innovative design, and a couldn’t-be-better setting, Prometheus Bound remains that most acquired of tastes, Greek Tragedy.
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eve2
Friday, August 16th, 2013NOT RECOMMENDED
Playwright Susan Rubin experiments with the surreal in eve2, an avant-garde one-act that left me scratching my head in bewilderment.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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