DOUBTING THOMASON


Los Angeles theater buffs may recall one of the biggest Ovation Award upsets ever, when the under-the-radar West Coast Premiere of Tracy Letts’ Killer Joe went on to win four crystal statuettes, including Best Production, Best Ensemble, and Best Direction. Far fewer will be aware that, at about the very same time as that production was set to open, another group of L.A. actors were rehearsing the very same play, only to discover a week before their own opening that someone else (the future Ovation winners) had the rights to Killer Joe—and they didn’t.
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I’M JUST WILD ABOUT HARRY


Take an 1892 British farce that broke records with its 1466-performance London run. Add to it nearly two-dozen song hits from the 1900s, ‘10s, and early ‘20s. Cast it with a terrific bunch of actors who can also sing and dance. Add to the mix a director, musical director, choreographer, and trio of designers, each of whom is blessed with ingenuity and flair. Do all of the above and the result is I’m Just Wild About Harry, Gary Lamb and William A. Reilly’s delightful jukebox musical now playing at the duo’s Crown City Theatre Co.
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THE MALCONTENT


An overthrown national leader sneaks back into to his country in disguise, hoping to engineer a return to power. To do so, he must match wits with the new leader’s ruthless, ambitious young protégé, who is having a secret affair with the new leader’s beautiful young wife, who is in turn being pursued by a second handsome, unprincipled schemer. And that’s just the start of two and a half hours of lust, intrigue, betrayal, passion and politics in John Marston’s The Malcontent.
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THE COLUMBINE PROJECT


Few L.A. theater projects have had quite the success (or the journey) of The Columbine Project, Paul Storiale’s meticulously researched docudrama about the Columbine High School massacre of 1999. World premiering in April of 2009 at the 48-seat Avery Schreiber Theatre in North Hollywood, The Columbine Project was extended twice before transferring to off-Broadway with unprecedented swiftness (and with the entire L.A. cast intact). Its July through October New York run at the Actors Temple Theatre was praised by the prestigious New Yorker magazine as a production which “fills the tiny, funky theatre with talent and gravity.” In December of the same year, the original North Hollywood production was awarded five ADA (Artistic Director Achievement) Awards including a Best Director award for its creator/writer/director Paul Storiale.
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THE PRISONER OF SECOND AVENUE


Neil Simon revealed a considerably darker side than was his wont in his 1973 hit The Prisoner Of Second Avenue, which Jason Alexander now stars in at North Hollywood’s El Portal Theatre in a production that rivals the best of Broadway revivals.
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ALL IN THE TIMING


Trust me. David Ives’ All In The Timing is unlike any program of one-acts you’ve ever seen. Imagine a series of sketches on Saturday Night Live, but with their intelligence level upped to the nth power. Ives’ six comic concoctions are smart plays indeed, each one with its own particular (and peculiar) “high concept.” As performed by a stellar troupe of eight at Crown City Theatre, the sextet of playlets make for one quirky, entertaining evening of theater at its most unique.
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PURSUED BY HAPPINESS


There’s good news for hopeless romantics, those of us who truly believe in the redemptive power of love. Keith Huff’s Pursued By Happiness can now be added to the list of terrific plays written about wounded souls who somehow manage to find salvation in each other.
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HAVING IT ALL


A group of disparate (and perhaps desperate) strangers find themselves stuck in the same space and, not surprisingly, hate each other at first sight. As the minutes tick by, however, they begin talking—out of frustration or necessity—and little by little discover how wrong their first impressions have been. By the time their enforced proximity comes to an end, bonds have been formed, friendships even, and each of these strangers comes out changed for good (in both senses of the term). A proven formula for drama, comedy, and in the case of Having It All, for an original musical now earning cheers at North Hollywood’s NoHo Arts Center.
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