PAUL+CHRIS: TOGETHER AGAIN (FOR THE FIRST TIME)
Wednesday, August 15th, 2012
Take two of L.A.’s most handsome and vocally gifted musical theater performers—partners in music and life for the past eleven years. Stir in a dozen and a half tunes showcasing their talents both as individuals and as a duo. Back with some terrific ivory-tickling and surround with a theaterful of fans and friends and you’ve got Paul+Chris: Together Again (for the first time), an evening of musical theatre songs “exploring the surprises of friendship, longing, and love,” and one far too entertaining for its one performance only last night at the NoHo Arts Center.
(read more)
A RING IN BROOKLYN
Saturday, August 11th, 2012
The Academy For New Musical Theatre follows last year’s 40 Is The New 15 with another flashback-to-the-past World Premiere musical, A Ring In Brooklyn (subtitled “a frickin’ musical”), and if their latest project gets off to an iffy start, about halfway through Act One it kicks into gear and turns out a winner.
(read more)
THE PARIS LETTER
Monday, July 30th, 2012
Back in the pre-Stonewall decade when Anton Kilgallen and Sandy Sonnenberg were in their twenties, there were basically two choices for big city gay men. Anton opted for the first, living as “openly” as was possible in the underground world of illegal gay bars and private parties. Sandy chose the second, attempting a pseudo-straight lifestyle by marrying someone of the opposite sex and doing his best to repress whatever same-sex urges might threaten to erupt.
(read more)
MACBETH
Saturday, July 21st, 2012
Director extraordinaire Jessica Kubzansky humanizes the murderous Macbeth and his lethal Lady McB in a uniquely powerful production of Shakespeare’s “Scottish Play,” particularly as performed by a mashup of the Antaeus Company’s double-cast ensemble.
(read more)
THE MERRY WIVES OF WINDSOR
Saturday, June 23rd, 2012
Most Palisades High School theater students would probably never dream of making a career out of producing and starring in William Shakespeare’s Greatest Hits, yet that is precisely the dream that Charles Pasternak and his fellow Pali-Highers Edward Castuera and Jack Leahy shared a decade or so ago, a dream which led to the 2006 founding of an exciting young theater company bent on staging every single play in the Shakespearean oeuvre. When I reviewed my very first The Porters Of Hellgate production, Love’s Labor’s Lost, back in 2008, they were already at number eight in only their second season. The Merry Wives Of Windsor makes it fourteen* and counting, and as in productions past, The Porters have once again come up with an original take on a Shakespeare standard and done so with considerable skill and panache.
(read more)
THE LITTLE DOG LAUGHED
Monday, June 18th, 2012
The Little Dog Laughed, Douglas Carter Beane’s hilarious, edgy Hollywood-New York showbiz satire, has arrived in North Hollywood with its cutting-edge love story between a gay movie star and a bisexual hustler and its much touted (albeit brief) display of full-frontal male nudity. Though one of its four performances still needs considerably sharpening, director Jon Cortez and cast are largely successful in entertaining, titillating, and maybe even coaxing a tear or two from audiences in search of comedy with a bite.
(read more)
THE SLEEPER
Friday, June 8th, 2012
Among the many changes the events of 9/11 have brought about in American life is the new crop of words we’ve seen added to our daily lexicon, not the least of which is the term 9/11. Foreign words have become part of our vocabulary. Old words have been combined to create new phrases. Network news broadcasts have given us one media slogan after another. Who knew what a jihad was before the “axis of evil” launched its “Attack On America”? Even everyday words have acquired new meanings. Take the colors “blue,” “yellow,” “orange,” and “red,” no longer harmless hues but each one more frightening than the previous when modifying the word “alert.” Take too the word “sleeper,” once merely “a person or animal who is asleep” or perhaps a railroad sleeping car, now considerably more sinister in this post-9/11 world.
It’s this newer, scarier “sleeper” that playwright Catherine Butterfield has in mind in her 2004 comedy The Sleeper, now getting a sensational Los Angeles premiere by North Hollywood’s Theatre Tribe.
(read more)
COMPLEAT FEMALE STAGE BEAUTY
Friday, June 1st, 2012
When Restoration-era diarist Samuel Pepys wrote about “the prettiest woman in the whole house” and “the handsomest man,” in both cases he was referring to the same person—English actor Edward Kynaston. Known throughout mid-17th Century London for his portrayals of Shakespearean heroines Desdemona, Ophelia, and Juliet, Kynaston achieved more recent fame when Billy Crudup played him on the big screen opposite Claire Danes in 2004’s Stage Beauty. North Hollywood’s Crown City Theatre Company now presents the fascinating play upon which Stage Beauty was based—Jeffrey Hatcher’s Compleat Female Stage Beauty, and a gem of a production it is.
(read more)
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
COPYRIGHT 2025 STEVEN STANLEY :: DESIGN BY