MISS SAIGON

Miss Saigon’s epic blend of war, romance, and show-stopping production numbers has rarely if ever been brought to more dazzling, breathtaking life than in its Tony-nominated 2017 Broadway revival’s First National Tour, now mesmerizing and moving audiences in equal measure at the Segerstrom Center For The Arts.
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LATIN HISTORY FOR MORONS

If John Leguizamo’s Latin History For Morons sounds like it’s going to be nothing more than a light-hearted accumulation of dates and names and facts we all ought to know but don’t, think again. Though Leguizamo’s one-man show is indeed as funny and elucidating as any theater-going moron could wish for, it’s also a justifiably rage-filled attack on those who’d rather see his people erased not just from history books (as they already are) but from America itself.
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FRIENDS! THE MUSICAL PARODY

Fans of a certain 10-season-long NBC sitcom smash are more likely than not to enjoy Friends! The Musical Parody, a touring guest production at Culver City’s Kirk Douglas Theatre.
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THE PLAY THAT GOES WRONG

So nonstop hilarious is the latest National Tour playing a visit to the Ahmanson, The Play That Goes Wrong just might hold the laugh-a-minute record for a West End-to-Broadway comedy smash.
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CHARLIE AND THE CHOCOLATE FACTORY

The Broadway National Tour of Charlie And The Chocolate Factory scores points for its colorful performances and sets (and for its singing-dancing Oompa Loompas), but audiences looking for characters they can care about, a plot that will maintain their interest, and songs they’ll want to hear more than once won’t find them at the Segerstrom Center For The Arts.
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FIDDLER ON THE ROOF

If you’ve any doubt that Fiddler On The Roof is a true musical theater masterpiece, check out the dazzling National Tour now playing at Costa Mesa’s Segerstrom Center For The Arts for proof positive that the Broadway classic is as great as it gets.
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MATTHEW BOURNE’S CINDERELLA

The world’s favorite step-daughter once again meets her Prince Charming (but this time the man in question is an injured WWII pilot, the setting is London circa The Blitz, and their romantic tale-as-old-as-time is told entirely in dance as only Sir Matthew Bourne can choreograph it) in the thrillingly performed, apty retitled Matthew Bourne’s Cinderella (Music By Prokoviev), now paying a return visit to the Ahmanson Theatre twenty years after it first captivated L.A.
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COME FROM AWAY

Heroism, humanity, and heart triumph over terror in Come From Away, the 2017 Broadway Tony winner that turns the most unlikely of subject matters into the most feel-good of musicals. (That it’s also the best-directed, most powerfully performed show now touring the country is icing on the cake.)
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