INTO THE WOODS


Stunningly fresh takes on iconic roles distinguish the the newest Broadway revival of composer-lyricist Stephen Sondheim and book writer James Lapine’s Into The Woods, now playing at the Ahmanson, from the myriad productions that have preceded it.
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TINA: THE TINA TURNER MUSICAL


The legend that was Tina Turner lives on in Naomi Rodgers’ spectacular star turn as the Queen of Rock ‘n’ Roll in Tina: The Tina Turner Musical, now bringing audiences to their feet at the Pantages.
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A SOLDIER’S PLAY


Whodunnits don’t get any more edge-of-your-seat, and National Tours don’t get any more spectacular, than Roundabout Theatre Company’s Tony-winning revival of A Soldier’s Play, Charles Fuller’s eye-opening look at racism on a segregated WWII-era military base, now keeping audiences on the edge of their seats at the Ahmanson.
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HAIRSPRAY


Hairspray remains as fresh and fabulous at the ripe old age of 21 as it was when it made its Broadway debut back in 2002, and if you doubt my words, check out the spiffy National Tour now stopping at Hollywood’s Dolby Theatre.
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1776


Radical re-conception and revelatory re-casting add up to a revolutionary 21st-century take on Sherman Edwards and Peter Stone’s 1969 Broadway classic 1776 in the 2022 Broadway revival now thrilling audiences at the Ahmanson.
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AIN’T TOO PROUD


The Temptations give those Jersey Boys some pretty stiff competition for all-time best Broadway bio-musical in Ain’t Too Proud—The Life and Times of The Temptations, now making a triumphant return to the Ahmanson following its Tony-winning New York run.
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ANNIE


Even the grimmest of economic times can inspire the most cheerful, delightful, and tuneful of musical comedy treats. Case in point, the Broadway musical smash Annie, now spreading Christmastime tidings of hope and joy at Hollywood’s Dolby Theatre.
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OKLAHOMA!


Forget every Oklahoma! you’ve ever seen. Forget everything you’ve ever heard or said or thought about the 79-year-old classic. Director Daniel Fish’s radically revisionist revival of the Broadway musical that reinvented the genre back in 1943 now feels every bit as revolutionary in 2022 as Rent did in 1994, Spring Awakening in 2006, and Hamilton just a handful of years back.
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