HAIR
Tuesday, January 25th, 2011
It was mid-1968. LBJ was still President, with Richard Nixon’s election and seven more years of war in Vietnam yet to come. Already, though, there were “tribes” of young people in their teens and twenties whose dissatisfaction with an America riddled with racism, poverty, sexism, sexual repression, and political corruption led them to create the hippie movement of the 60s. More than anything else, though, these “new American patriots,” as they saw themselves, were in revolt against a war they believed to be unjust, unnecessary, and un-American.
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WALT DISNEY’S BEAUTY AND THE BEAST
Tuesday, November 16th, 2010
Walt Disney’s Beauty And The Beast made movie history in 1992 when it became the first full-length animated feature to be nominated for a Best Picture Oscar. Major musical sequences like “Belle,” “Gaston,” and “Be Our Guest” felt so much like Broadway production numbers that its 1994 transfer to The Great White Way made perfect sense, leading to nine Tony nominations, three National Tours, English and foreign language productions the world round, and regional productions like the one staged by Cabrillo Music Theater in 2007. February of this year marked the start of Beauty And The Beast’s Fourth National Tour, a sensational production now making a one-week stop at Costa Mesa’s Orange County Performing Arts Center.
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SOUTH PACIFIC
Tuesday, October 12th, 2010
Rodgers & Hammerstein fanatics may cry sacrilege, but I never quite understood why South Pacific was considered such a classic. Then came the National Tour of the 2009 Tony-winning (Best Revival Of A Musical) Lincoln Center Theatre production, and I became a believer. Not only is South Pacific one of Rodgers & Hammerstein’s finest, it stands as one of the greatest musicals ever to grace a Broadway theater, at least when done right.
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PETER PAN
Wednesday, October 6th, 2010
No matter how many Peter Pans you’ve seen, you’ve never seen a Peter Pan nearly as thrilling as threesixty’s Peter Pan. Its producers tout the production’s “500 tons of tent and equipment, 100 cast and crew, and 400 square miles of computer generated imagery on a screen the size of 3 IMAX theaters.” Previous reviewers have called it “spectacular,” “thrilling,” “breathtaking,” “joyous,” “mesmerizing,” and “magical.” It’s all of this, and laugh-out-loud funny to boot.
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YOUNG FRANKENSTEIN
Tuesday, September 14th, 2010
When the very first Broadway musical for which you write book, music, and lyrics wins a record-breaking twelve Tony awards and runs for over 2500 performances, what do you do for an encore?
If you’re Mel Brooks, your follow-up to The Producers is Young Frankenstein, and though the comic master’s sophomore musical ran less than 500 performances, it’s nonetheless a tuneful, laugh-filled treat for Brooks fans and horror buffs alike.
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IN THE HEIGHTS
Tuesday, August 3rd, 2010
When West Side Story premiered on Broadway in 1957, one might have assumed that sometime over the following half century, another hit Broadway musical would center on Latino life in New York City, or on Latino life anywhere for that matter. It would, after all, make sense for a musical as revolutionary as West Side Story to engender others that followed its ground-breaking example, right?
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THE LION KING
Friday, May 28th, 2010
The arrival of the Broadway National Tour of Disney’s The Lion King for a three-week engagement at the Orange County Performing Arts Center is something to roar about. It’s not every day that one of Broadway’s longest running hits (over 5000 performances and counting) arrives in town. It’s not every day that a show that filled Hollywood’s Pantages for over 950 performances back in 2000-2003 makes a return visit. And don’t hold your breath waiting for some Southern California regional theater or CLO to put on their own production. With its humungous cast of fifty plus performers, over 200 puppets, and roles that require cast members portraying giraffes to saunter across the stageon four stilt legs, you can be darn sure that a big budget National Tour or sit-down production is the only way you’ll be able to see The Lion King … ever. Thus, although it’s not a case of now or never, it’s certainly now or a long time from now. If ever a production could be called a must-see for musical theater lovers of any age, it’s the one playing at OCPAC.
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DREAMGIRLS
Wednesday, April 21st, 2010
Dreamgirls is back, bigger, brighter, bolder, and more dazzling than ever. In fact, the National Tour which has just begun a two-week run at Costa Mesa’s Orange County Performing Arts Center is one of the most visually spectacular and spectacularly performed touring productions ever. In many ways, it’s in a class all by itself.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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