AMERICAN IDIOT

glory|struck productions, who gave Los Angeles the Scenie-winning one-two punch of Spring Awakening In Concert and bare a rock musical, are back in town with what is likely to prove the musical theater event of the season, a head-bangingly thrilling Green Day’s American Idiot brought to surround-sound and surround-sight life in the Downtown L.A. Arts District warehouse provocatively dubbed The Vortex.
(read more)

VIOLET

L.A. audiences can at last discover one of the unsung treasures of contemporary musical theater as Kelrik Productions presents the Los Angeles County Premiere of Jeanine Tesori and Brian Crawley’s 1997 musical gem Violet, and a superbly performed L.A. debut she makes.
(read more)

THE WHO’S TOMMY

A fabulous, primarily Asian-American cast, design elements with a Far East flavor, and a 1960s-though-‘80s time frame that inspires a slew of innovative costumes and choreography …

All of this (and more) add up to an exciting East West Players revival of the now iconic The Who’s Tommy.
(read more)

RUTHLESS! THE MUSICAL

The Bad Seed meets All About Eve meets Gypsy as the musical theater majors of Cal State Fullerton’s illustrious BFA program bring the murderously funny off-Broadway cult spoof Ruthless! The Musical to lethally hilarious life on the intimate stage of Santa Ana’s Grand Central Theatre.
(read more)

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

The theater company whose recent reinvention of Kander & Ebb’s Cabaret for the intimate stage earned it both critical and audience raves now returns with a “downsized” staging of the Stephen Sondheim classic A Funny Thing Happened On The Way To The Forum, and the result is one of the funniest—and most ingenious—Forums ever.
(read more)

MURDER FOR TWO

Who says you need a dozen performers and a full orchestra to create a supremely inventive, thoroughly delightful (Ladies’ and) Gentlemen’s Guide To Love And Murder? As Joe Kinosian & Kellen Blair’s Murder For Two makes abundantly clear, all it takes is a pair of gifted quadruple-threats, four hands, a baby grand piano, a nifty plot, an inventive book, and some clever, catchy songs to come up with an award-winning off-Broadway hit.
(read more)

SIDE SHOW

Freaks reign supreme in 3-D Theatrical’s big-stage revival of Bill Russell and Henry Krieger’s Side Show (The Original), easily one of the finest 3-D productions ever, and for those of us who have marveled at their Ragtime, Funny Girl, and Parade (among others), that is saying something indeed.
(read more)

JANE AUSTEN’S PRIDE AND PREJUDICE, A MUSICAL

If a World Premiere musicalization of Jane Austen’s Pride and Prejudice in which the 19th-century novelist figures not only as part of its title but as one of the its leading players seems fraught with peril, then Austen fans can rest assured. To quote from La Mirada Theatre For The Performing Arts’ next-up Mary Poppins, Jane Austen’s Pride And Prejudice, A Musical is practically perfect in every way.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »