CARRIE The Killer Musical Experience


You don’t have to travel to NYC to see CARRIE The Killer Musical Experience on Broadway, not now that director Brady Schwind’s multiple Scenie-winning*, thrillingly audience-immersive Carrie has reopened at the historic Los Angeles Theater at 615 S. Broadway … smack dab in the middle of DTLA.
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[title of show]

A hit Broadway show performed in the intimacy of a living-room for a lucky thirty invited guests is what the talented students of USC’s Musical Theatre Repertory are offering audiences in their 11th-season opener, [title of show], and it’s hard to imagine a better show to put on for friends and family than the 2004 Broadway gem, one which could easily have started its life in the living rooms of its writer-performers Jeff Bowen (music and lyrics) and Hunter Bell (book) and works every bit as well in USC Hillel’s “living room” as in a more traditionally theatrical setting.
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LA CAGE AUX FOLLES

A pair of Ovation-winning leading men, a sextet of glamorous drag queens, and a dozen or so Jerry Herman show tunes are just three reasons to take a road trip down south to catch San Diego Musical Theatre’s splendid revival of Herman’s and Harvey Fierstein’s La Cage Aux Folles.
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THE BAKER’S WIFE

Actors Co-op breathes fresh new life into Stephen Schwartz and Joseph Stein’s largely forgotten The Baker’s Wife, still a delicate, tuneful, très charmant gem of a musical some forty or so years after Angelinos first discovered it in a “pre-Broadway” tour that never quite made it to the Great White Way.
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BIG FISH

Big Fish The Musical may have floundered on Broadway two years back, but it’s the furthest thing from a flop given the emotional depth and heart of Steven Glaudini’s direction and the abundant pizzazz of Karl Warden’s choreography at Vista’s Moonlight Amphitheatre.
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ASSASSINS

Haste is of the essence in catching Red Blanket Productions’ superb intimate stage revival of Stephen Sondheim and John Weidman’s Assassins, not simply because only weeks remain in what looks to be a sold-out run at the Pico Playhouse but because, if Actors Equity has its way, starting next June you will never again see such a 99-seat production in Los Angeles County. Ever. (More on that later.)
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GUYS AND DOLLS

RECOMMENDED

The American musical theater classic Guys And Dolls gets a mostly quite good in-the-round revival at Glendale Centre Theatre highlighted by a pair of scene-stealing Dolls—Heather Lundstedt as Sarah Brown and Ann Myers as the one-and-only Miss Adelaide.
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SPRING AWAKENING


Spring Awakening, the 2006 Tony winner for Best Musical, is back in town, an event that would be considerably less newsworthy were it not for the memorable directorial debut it provides recent UCLA grad Michael Kozachenko and the musical theater showcase it offers its talented young cast, most of whom are new to L.A. stages.
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